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oapen-20.500.12657-511642021-11-03T02:39:29Z Circulation and Control Delamaire, Marie-Stéphanie Slauter, Will art history; circulation of images; copyright; culture; dagerreotypes; economics; engravings; graphic arts; history; intellectual property; law; lithographs; nineteenth century; paintings; patents; production of images; publishing; sculpture; stereoscopic view; technology; visual art; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNR Intellectual property law bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNR Intellectual property law::LNRC Copyright law bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies::KNT Media, information & communication industries::KNTP Publishing industry & book trade bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::B Biography & True Stories::BG Biography: general::BGF Biography: arts & entertainment bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema bic Book Industry Communication::A The arts::AJ Photography & photographs The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age. 2021-10-25T09:15:04Z 2021-10-25T09:15:04Z 2021 book 9781800641464 9781800641471 9781800641495 9781800641501 9781800641518 https://library.oapen.org/handle/20.500.12657/51164 eng application/pdf Attribution 4.0 International 9781800641488.pdf https://www.openbookpublishers.com/product/1372 Open Book Publishers 10.11647/OBP.0247 10.11647/OBP.0247 23117811-c361-47b4-8b76-2c9b160c9a8b 9781800641464 9781800641471 9781800641495 9781800641501 9781800641518 ScholarLed 540 open access
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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations.
With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.
This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.
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