9780472902446.pdf

In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes’ f...

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Γλώσσα:English
Έκδοση: University of Michigan Press 2021
Διαθέσιμο Online:https://cdcshoppingcart.uchicago.edu/Cart2/ChicagoBook.aspx?ISBN=9780472038558&press=umich
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spelling oapen-20.500.12657-512462021-11-03T02:42:04Z Listening to the Lomax Archive Stone, Jonathan rhetoric sonic rhetoric sonic rhetorics folksong Lead Belly Jelly Roll Morton sound studies historio bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::A The arts::AV Music::AVA Theory of music & musicology In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes’ field recordings—including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton—contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element—a sonic rhetoric—for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes’ archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a ? in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content. 2021-11-02T09:25:19Z 2021-11-02T09:25:19Z 2021 book ONIX_20211102_9780472902446_28 9780472902446 9780472038558 https://library.oapen.org/handle/20.500.12657/51246 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780472902446.pdf https://cdcshoppingcart.uchicago.edu/Cart2/ChicagoBook.aspx?ISBN=9780472038558&press=umich University of Michigan Press University of Michigan Press 10.3998/mpub.9871097 10.3998/mpub.9871097 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472902446 9780472038558 University of Michigan Press 259 open access
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description In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes’ field recordings—including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton—contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element—a sonic rhetoric—for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes’ archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a ? in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content.
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publisher University of Michigan Press
publishDate 2021
url https://cdcshoppingcart.uchicago.edu/Cart2/ChicagoBook.aspx?ISBN=9780472038558&press=umich
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