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oapen-20.500.12657-515792021-11-27T02:45:10Z The Mimetic Strand in the Cello Literature Mizia, Urszula Akant budowy Cello Cello construction Cello history Cello iconography Cello performance and emancipation Cello transcriptions Context Design historii History Iconography ikonografii Instrument instrumentu kontekście Literature literaturze Mimesis Mimetic mimetyczny Mizia Nurt oraz Performance Strand Trend Violoncello wiolonczelowego wiolonczelowej Wydawnictwo wykonawstwa bic Book Industry Communication::A The arts::AV Music::AVR Musical instruments & instrumental ensembles::AVRL String instruments bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics This book is the first integral study of the history of imitative or co-creative artistic work that has led to the creation of cello transcriptions and arrangements. Of an interdisciplinary character, it explores the views that have shaped approaches to the art of cello performance and describes the role of cello transcriptions and the development of instrument making. The book also addresses issues related to philosophy, history of aesthetics and visual arts, including iconography presenting historical images of the cello. The theoretical part contains definitions and systematics that make it possible to categorise the vast amount of transcriptions, as well as descriptions and suggested recordings of a selection of those transcriptions. 2021-11-26T13:49:21Z 2021-11-26T13:49:21Z 2020 book ONIX_20211126_9783631826287_7 9783631826287 9783631826294 9783631826300 9783631806142 https://library.oapen.org/handle/20.500.12657/51579 eng Ars Musica. Interdisziplinaere Studien application/pdf n/a 9783631826287.pdf https://www.peterlang.com/downloadpdf/title/62791 Peter Lang International Academic Publishers 10.3726/b17205 10.3726/b17205 e927e604-2954-4bf6-826b-d5ecb47c6555 9783631826287 9783631826294 9783631826300 9783631806142 7 334 Bern open access
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OAPEN
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DSpace
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English
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description |
This book is the first integral study of the history of imitative or co-creative artistic work that has led to the creation of cello transcriptions and arrangements. Of an interdisciplinary character, it explores the views that have shaped approaches to the art of cello performance and describes the role of cello transcriptions and the development of instrument making. The book also addresses issues related to philosophy, history of aesthetics and visual arts, including iconography presenting historical images of the cello. The theoretical part contains definitions and systematics that make it possible to categorise the vast amount of transcriptions, as well as descriptions and suggested recordings of a selection of those transcriptions.
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title |
9783631826287.pdf
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spellingShingle |
9783631826287.pdf
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title_short |
9783631826287.pdf
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title_full |
9783631826287.pdf
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title_fullStr |
9783631826287.pdf
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title_full_unstemmed |
9783631826287.pdf
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title_sort |
9783631826287.pdf
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publisher |
Peter Lang International Academic Publishers
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publishDate |
2021
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url |
https://www.peterlang.com/downloadpdf/title/62791
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1771297463082156032
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