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oapen-20.500.12657-516362021-12-22T15:42:55Z Spaces of Communication Odin, Roger Marbach, Ségolène Communication, pragmatics, media, arts, cinema bic Book Industry Communication::A The arts::AF Art forms::AFK Non-graphic art forms::AFKV Electronic, holographic & video art bic Book Industry Communication::A The arts::AP Film, TV & radio "Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer’s engagement with the film. A response to an impasse in post-1968 film semiotics and psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film. Spaces of Communication offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of" 2021-12-03T10:58:00Z 2021-12-03T10:58:00Z 2022 book 9789462987142 https://library.oapen.org/handle/20.500.12657/51636 eng Film Theory in Media History application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9789048538669.pdf https://www.bibliovault.org/thumbs/978-90-485-3866-9-highres.jpg; https://www.bibliovault.org/thumbs/978-90-485-3866-9-frontcover.jpg; https://www.bibliovault.org/thumbs/978-90-485-3866-9-thumb.jpg Amsterdam University Press 10.5117/9789462987142 10.5117/9789462987142 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 9789462987142 176 Amsterdam open access
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"Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer’s engagement with the film. A response to an impasse in post-1968 film semiotics and psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film.
Spaces of Communication offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of"
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