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oapen-20.500.12657-518792024-03-27T06:15:53Z Rotes Licht Konjikušić, Davor Yugoslav partisans Second World War anti-fascist movement photography history of photography thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 thema EDItEUR::A The Arts::AJ Photography and photographs thema EDItEUR::N History and Archaeology::NH History::NHD European history thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBL c 1940 to c 1949::3MPBLB c 1938 to c 1946 (World War Two period) thema EDItEUR::J Society and Social Sciences::JP Politics and government thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic perspective, but in the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. 2021-12-09T10:08:55Z 2021-12-09T10:08:55Z 2021 book ONIX_20211209_9783422986398_39 9783422986398 9783422985100 https://library.oapen.org/handle/20.500.12657/51879 ger application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783422986398.pdf https://www.degruyter.com/document/doi/10.1515/9783422986398/html De Gruyter Deutscher Kunstverlag (DKV) 10.1515/9783422986398 Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic perspective, but in the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. 10.1515/9783422986398 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783422986398 9783422985100 Deutscher Kunstverlag (DKV) 423 Berlin/Boston open access
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