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oapen-20.500.12657-524952024-02-20T11:25:45Z The Digital Imaginary Coover, Roderick Film & Media Media Theory (Film & Media) Literature, Media and Technology (Lit Studies) Digital Art and Media (Film & Media) bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFN Film: styles & genres bic Book Industry Communication::A The arts::AG Art treatments & subjects::AGZ Art techniques & principles This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Over the past half century, computing has profoundly altered the ways stories are imagined and told. Immersive, narrative, and database technologies transform creative practices and hybrid spaces revealing and concealing the most fundamental acts of human invention: making stories. The Digital Imaginary illuminates these changes by bringing leading North American and European writers, artists and scholars, like Sharon Daniel, Stuart Moulthrop, Nick Montfort, Kate Pullinger and Geof Bowker, to engage in discussion about how new forms and structures change the creative process. Through interviews, commentaries and meta-commentaries, this book brings fresh insight into the creative process from differing, disciplinary perspectives, provoking questions for makers and readers about meaning, interpretation and utterance. The Digital Imaginary will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including storymakers, educators, curators, critics, readers and artists, alike. 2022-01-18T13:08:13Z 2022-01-18T13:08:13Z 2019 book ONIX_20220118_9781501347573_27 9781501347573 9781501379406 https://library.oapen.org/handle/20.500.12657/52495 eng Electronic Literature application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International 9781501347573.epub Bloomsbury Academic Bloomsbury Academic 10.5040/9781501347597 10.5040/9781501347597 066d8288-86e4-4745-ad2c-4fa54a6b9b7b 9781501347573 9781501379406 Bloomsbury Academic 208 New York open access
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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Over the past half century, computing has profoundly altered the ways stories are imagined and told. Immersive, narrative, and database technologies transform creative practices and hybrid spaces revealing and concealing the most fundamental acts of human invention: making stories. The Digital Imaginary illuminates these changes by bringing leading North American and European writers, artists and scholars, like Sharon Daniel, Stuart Moulthrop, Nick Montfort, Kate Pullinger and Geof Bowker, to engage in discussion about how new forms and structures change the creative process. Through interviews, commentaries and meta-commentaries, this book brings fresh insight into the creative process from differing, disciplinary perspectives, provoking questions for makers and readers about meaning, interpretation and utterance. The Digital Imaginary will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including storymakers, educators, curators, critics, readers and artists, alike.
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