spelling |
oapen-20.500.12657-526472022-07-08T09:17:51Z Geistliche Liederdichter zwischen Liturgie und Volkssprache Kraß, Andreas Standke, Matthias Vernacular spiritual songs medieval German poets bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBB Literary studies: classical, early & medieval Composers of spiritual songs in the Middle Ages and Early Modern Period, including the Monk of Salzburg, Oswald von Wolkenstein, Heinrich Laufenberg, and Sebastian Brant, engaged productively with the tradition of Latin hymns and sequences. This volume collects thirteen studies on songs by these and other composers who stood at the intersection between liturgy and the vernacular. 2022-02-03T16:15:36Z 2022-02-03T16:15:36Z 2020 book ONIX_20220203_9783110666816_3 2367-0312 9783110666816 9783110666786 9783110667035 https://library.oapen.org/handle/20.500.12657/52647 ger Liturgie und Volkssprache application/pdf Attribution 4.0 International 9783110666816.pdf De Gruyter 10.1515/9783110666816 Composers of spiritual songs in the Middle Ages and Early Modern Period, including the Monk of Salzburg, Oswald von Wolkenstein, Heinrich Laufenberg, and Sebastian Brant, engaged productively with the tradition of Latin hymns and sequences. This volume collects thirteen studies on songs by these and other composers who stood at the intersection between liturgy and the vernacular. 10.1515/9783110666816 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 Humboldt-Universität zu Berlin ac7aa491-fd52-447f-a2bb-3e8052dc41dd 9783110666816 9783110666786 9783110667035 5 301 Berlin/Boston Humboldt-Universität zu Berlin Humboldt-Universität open access
|
description |
Composers of spiritual songs in the Middle Ages and Early Modern Period, including the Monk of Salzburg, Oswald von Wolkenstein, Heinrich Laufenberg, and Sebastian Brant, engaged productively with the tradition of Latin hymns and sequences. This volume collects thirteen studies on songs by these and other composers who stood at the intersection between liturgy and the vernacular.
|