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oapen-20.500.12657-528042023-02-01T08:49:12Z Adaptation in the Age of Media Convergence Fehrle, Johannes Schäfke-Zell, Werner Social Science Media Studies Literary Criticism Computers Design, Graphics & Media Video & Animation bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism bic Book Industry Communication::U Computing & information technology::UG Graphical & digital media applications::UGV Digital video: professional This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos). 2022-02-12T05:31:33Z 2022-02-12T05:31:33Z 2019 book 9789048534012 https://library.oapen.org/handle/20.500.12657/52804 eng application/pdf n/a external_content.pdf Amsterdam University Press Amsterdam University Press https://doi.org/10.5117/9789462983663 7470 https://doi.org/10.5117/9789462983663 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9789048534012 Knowledge Unlatched (KU) Amsterdam University Press Knowledge Unlatched open access
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This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
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