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Articulating Bodies investigates the contemporaneous developments of Victorian fiction and disability’s medicalization by focusing on the intersection between narrative form and body. The book examines texts from across the century, from Frederic Shoberl’s 1833 English translation of Victor Hugo’s N...

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Γλώσσα:English
Έκδοση: Liverpool University Press 2022
id oapen-20.500.12657-52808
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spelling oapen-20.500.12657-528082023-02-01T08:49:10Z Articulating Bodies Hingston, Kylee-Anne Social Science People With Disabilities Literary Criticism Modern 19th Century History Modern 19th Century bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFG Disability: social aspects bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBF Literary studies: c 1800 to c 1900 bic Book Industry Communication::H Humanities::HB History::HBG General & world history Articulating Bodies investigates the contemporaneous developments of Victorian fiction and disability’s medicalization by focusing on the intersection between narrative form and body. The book examines texts from across the century, from Frederic Shoberl’s 1833 English translation of Victor Hugo’s Notre-Dame de Paris to Arthur Conan Doyle’s Sherlock Holmes story “The Adventure of the Crooked Man” (1893), covering genres that typically relied upon disabled or diseased characters. By tracing the patterns of focalization and narrative structure across six decades of the nineteenth century and across six genres, Articulating Bodies demonstrates that throughout the Victorian era, authors of fiction used narrative form as well as narrative theme to negotiate how to categorize bodies, both constructing and questioning the boundary dividing normalcy from abnormality. As fiction’s form developed from the massive hybrid novels of the early decades of the nineteenth century to the case-study length of fin-de-siècle mysteries, disability became increasingly medicalized, moving from the position of spectacle to specimen. 2022-02-12T05:31:56Z 2022-02-12T05:31:56Z 2019 book 9781789624953 https://library.oapen.org/handle/20.500.12657/52808 eng application/pdf n/a external_content.pdf Liverpool University Press Liverpool University Press 6493 4dc2afaf-832c-43bc-9ac6-8ae6b31a53dc b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781789624953 Knowledge Unlatched (KU) Liverpool University Press Knowledge Unlatched open access
institution OAPEN
collection DSpace
language English
description Articulating Bodies investigates the contemporaneous developments of Victorian fiction and disability’s medicalization by focusing on the intersection between narrative form and body. The book examines texts from across the century, from Frederic Shoberl’s 1833 English translation of Victor Hugo’s Notre-Dame de Paris to Arthur Conan Doyle’s Sherlock Holmes story “The Adventure of the Crooked Man” (1893), covering genres that typically relied upon disabled or diseased characters. By tracing the patterns of focalization and narrative structure across six decades of the nineteenth century and across six genres, Articulating Bodies demonstrates that throughout the Victorian era, authors of fiction used narrative form as well as narrative theme to negotiate how to categorize bodies, both constructing and questioning the boundary dividing normalcy from abnormality. As fiction’s form developed from the massive hybrid novels of the early decades of the nineteenth century to the case-study length of fin-de-siècle mysteries, disability became increasingly medicalized, moving from the position of spectacle to specimen.
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publisher Liverpool University Press
publishDate 2022
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