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oapen-20.500.12657-531122022-02-22T02:55:32Z Chapter Significant Geographies in The Shadow Lines Orsini, Francesca The Shadow Lines; World Literature; Literary Geographies bic Book Industry Communication::D Literature & literary studies Approaches to world literature often think through binaries of local/global, major/minor, provincial/cosmopolitan, taking them as given positions on a single world map. To an extent, this is true of Amitav Ghosh’s prize-winning essay “The testimony of my grandfather’s bookcase” (1998), which reflects on his grandfather’s collection of world literature books to think about the relationship between his grandfather’s provincial location in Calcutta and the world. Yet in The Shadow Lines Ghosh takes a much more complex and interesting approach to space, the world, perception and narration. In the novel’s complex narration, space, time, and self always appeared mirrored through other people, times, and spaces. Places also acquire reality and meaning only after they are first narrated and imagined, often several times, and before they are experienced directly. This is a stance that has deep existential but also epistemological implications that go beyond “simply” critiquing colonial and national border-making. This essay explores how (and which) spaces become “significant” in the novel, and how the novel’s approach to space can be productive for thinking about world literature. 2022-02-21T10:48:01Z 2022-02-21T10:48:01Z 2020 chapter https://library.oapen.org/handle/20.500.12657/53112 eng application/pdf Attribution 4.0 International Significant geographies in the Shadow Lines.pdf University of Turin Crossing the Shadow Lines 10.13135/2420-7969/11 10.13135/2420-7969/11 0b66f707-eb1c-41d4-a8a5-b2728d9545a7 5fbf4cb8-d0fd-4a76-ab82-791020bd80c2 178e65b9-dd53-4922-b85c-0aaa74fce079 European Research Council (ERC) 15 Turin 670876 MULOSIGE H2020 European Research Council H2020 Excellent Science - European Research Council open access
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English
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Approaches to world literature often think through binaries of local/global,
major/minor, provincial/cosmopolitan, taking them as given positions on a single world map.
To an extent, this is true of Amitav Ghosh’s prize-winning essay “The testimony of my
grandfather’s bookcase” (1998), which reflects on his grandfather’s collection of world
literature books to think about the relationship between his grandfather’s provincial location
in Calcutta and the world. Yet in The Shadow Lines Ghosh takes a much more complex and
interesting approach to space, the world, perception and narration. In the novel’s complex
narration, space, time, and self always appeared mirrored through other people, times, and
spaces. Places also acquire reality and meaning only after they are first narrated and imagined,
often several times, and before they are experienced directly. This is a stance that has deep
existential but also epistemological implications that go beyond “simply” critiquing colonial
and national border-making. This essay explores how (and which) spaces become
“significant” in the novel, and how the novel’s approach to space can be productive for
thinking about world literature.
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University of Turin
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2022
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