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oapen-20.500.12657-536722022-04-28T11:48:47Z Chapter 9 Talking rocks, illusory sounds, and projections of the otherworld Shpinitskaya, Julia Rainio, Riitta acoustics, aesthetics, cards, appearance, cinema, cultural, cultures, deception, deceptive, entertainment, epistemology, illusion, illusions, illusionism, magic, magicians, stage magic, optical illusion, spiritualism, religion, aesthetics, philosophy, perception, performance, special effects bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AP Film, TV & radio bic Book Industry Communication::A The arts::AP Film, TV & radio::APW Radio bic Book Industry Communication::A The arts::AP Film, TV & radio::APT Television bic Book Industry Communication::H Humanities::HP Philosophy bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics bic Book Industry Communication::H Humanities::HP Philosophy::HPM Philosophy of mind bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -::HPCF3 Phenomenology & Existentialism bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world we live in. Considering different cultural practices characterised by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. 2022-03-30T10:21:40Z 2022-03-30T10:21:40Z 2021 chapter 9781032036304 9781032036311 https://library.oapen.org/handle/20.500.12657/53672 eng application/pdf Attribution-NonCommercial-ShareAlike 4.0 International 9781003188278_10.4324_9781003188278-13.pdf Taylor & Francis Illusion in Cultural Practice Routledge 10.4324/9781003188278-13 10.4324/9781003188278-13 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 97d0dc47-61a3-4369-8fd7-0fa386d8b796 84095f4f-fc6b-435e-a379-4a99a66fabad 9781032036304 9781032036311 Routledge 25 Academy of Finland Suomen Akatemia open access
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This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world we live in. Considering different cultural practices characterised by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion.
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