9783110752748.pdf

This study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is...

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Γλώσσα:English
Έκδοση: De Gruyter 2022
Διαθέσιμο Online:https://www.degruyter.com/document/doi/10.1515/9783110752748/html
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spelling oapen-20.500.12657-537122022-04-06T02:54:04Z Whiteface Büch, Michel Improv Comedy Whitefacing Black Cultural Production bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSB Literary studies: general::DSBH Literary studies: from c 1900 - bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSG Literary studies: plays & playwrights bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies This study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is about improv that makes it such a white space? Can an absence be an object of study? If so, what is there to study? Where should one look? 2022-04-05T12:30:11Z 2022-04-05T12:30:11Z 2022 book ONIX_20220405_9783110752748_13 2698-5349 9783110752748 9783110752670 9783110752823 https://library.oapen.org/handle/20.500.12657/53712 eng American Frictions application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783110752748.pdf https://www.degruyter.com/document/doi/10.1515/9783110752748/html De Gruyter De Gruyter 10.1515/9783110752748 10.1515/9783110752748 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783110752748 9783110752670 9783110752823 De Gruyter 5 262 Berlin/Boston open access
institution OAPEN
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language English
description This study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is about improv that makes it such a white space? Can an absence be an object of study? If so, what is there to study? Where should one look?
title 9783110752748.pdf
spellingShingle 9783110752748.pdf
title_short 9783110752748.pdf
title_full 9783110752748.pdf
title_fullStr 9783110752748.pdf
title_full_unstemmed 9783110752748.pdf
title_sort 9783110752748.pdf
publisher De Gruyter
publishDate 2022
url https://www.degruyter.com/document/doi/10.1515/9783110752748/html
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