| id |
oapen-20.500.12657-53879
|
| record_format |
dspace
|
| spelling |
oapen-20.500.12657-538792022-04-08T03:00:18Z Chapter 24 Ethics in audience research Johanson, Katya Glow, Hilary audience, performance, theatre, dance, opera, music, history, arts management, cultural policy studies, sociology bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AS Dance & other performing arts bic Book Industry Communication::J Society & social sciences::JM Psychology The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities. 2022-04-07T11:18:57Z 2022-04-07T11:18:57Z 2022 chapter 9780367470753 9780367695842 https://library.oapen.org/handle/20.500.12657/53879 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003033226_10.4324_9781003033226-28.pdf Taylor & Francis Routledge Companion to Audiences and the Performing Arts Routledge 10.4324/9781003033226-28 10.4324/9781003033226-28 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb ea1051d6-a3e9-4727-84ef-54e1b8d093b0 9780367470753 9780367695842 Routledge 18 open access
|
| institution |
OAPEN
|
| collection |
DSpace
|
| language |
English
|
| description |
The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance.
This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural
discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and
performance studies as academic disciplines.
This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and
stakeholders involved in educational activities.
|
| title |
9781003033226_10.4324_9781003033226-28.pdf
|
| spellingShingle |
9781003033226_10.4324_9781003033226-28.pdf
|
| title_short |
9781003033226_10.4324_9781003033226-28.pdf
|
| title_full |
9781003033226_10.4324_9781003033226-28.pdf
|
| title_fullStr |
9781003033226_10.4324_9781003033226-28.pdf
|
| title_full_unstemmed |
9781003033226_10.4324_9781003033226-28.pdf
|
| title_sort |
9781003033226_10.4324_9781003033226-28.pdf
|
| publisher |
Taylor & Francis
|
| publishDate |
2022
|
| _version_ |
1771297434999193600
|
