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oapen-20.500.12657-539262022-07-16T02:45:25Z Processing Choreography Waterhouse, Elizabeth William Forsythe Choreography Practice Theory Practice Turn Process Creativity Dance bic Book Industry Communication::A The arts::AS Dance & other performing arts::ASD Dance Told from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community. 2022-04-11T13:02:26Z 2022-04-11T13:02:26Z 2022 book ONIX_20220411_9783839455883_3 9783839455883 9783837655889 https://library.oapen.org/handle/20.500.12657/53926 eng Neue Ökologie application/pdf Attribution 4.0 International oa9783839455883.pdf transcript Verlag transcript Verlag 10.1515/9783839455883 10.1515/9783839455883 b30a6210-768f-42e6-bb84-0e6306590b5c Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung 9783839455883 9783837655889 Swiss National Science Foundation (SNF) transcript Verlag 7 342 Bielefeld open access
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Told from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.
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