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oapen-20.500.12657-540102022-04-14T03:01:01Z Museum Digitisations and Emerging Curatorial Agencies Online Axelsson, Bodil Cameron, Fiona R. Hauptman, Katherine Pietrobruno, Sheenagh Museums Digital Heritage Curatorial Agency Global Media Platforms Personalisation Computation Media Ecology Open Access bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies bic Book Industry Communication::A The arts::AP Film, TV & radio bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies This open access book explores the multiple forms of curatorial agencies that develop when museum collection digitisations, narratives and new research findings circulate online. Focusing on Viking Age objects, it tracks the effects of antagonistic debates on discussion forums and the consequences of search engines, personalisation, and machine learning on American-based online platforms. Furthermore, it considers eco-systemic processes comprising computation, rare-earth minerals, electrical currents and data centres and cables as novel forms of curatorial actions. Thus, it explores curatorial agency as social constructivist, semiotic, algorithmic, and material. This book is of interest to scholars and students in the fields of museum studies, cultural heritage and media studies. It also appeals to museum practitioners concerned with curatorial innovation at the intersection of humanist interpretations and new materialist and more-than-human frameworks. 2022-04-13T15:08:38Z 2022-04-13T15:08:38Z 2022 book ONIX_20220413_9783030806460_5 9783030806460 https://library.oapen.org/handle/20.500.12657/54010 eng application/pdf n/a 978-3-030-80646-0.pdf https://link.springer.com/978-3-030-80646-0 Springer Nature Palgrave Macmillan 10.1007/978-3-030-80646-0 10.1007/978-3-030-80646-0 6c6992af-b843-4f46-859c-f6e9998e40d5 9783030806460 Palgrave Macmillan 138 Cham open access
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This open access book explores the multiple forms of curatorial agencies that develop when museum collection digitisations, narratives and new research findings circulate online. Focusing on Viking Age objects, it tracks the effects of antagonistic debates on discussion forums and the consequences of search engines, personalisation, and machine learning on American-based online platforms. Furthermore, it considers eco-systemic processes comprising computation, rare-earth minerals, electrical currents and data centres and cables as novel forms of curatorial actions. Thus, it explores curatorial agency as social constructivist, semiotic, algorithmic, and material. This book is of interest to scholars and students in the fields of museum studies, cultural heritage and media studies. It also appeals to museum practitioners concerned with curatorial innovation at the intersection of humanist interpretations and new materialist and more-than-human frameworks.
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