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oapen-20.500.12657-540512022-04-15T02:59:21Z Embodied gestures Tomás, Enrique Gorbach, Thomas Tellioglu, Hilda Kaltenbrunner, Martin Expression; Music; Musical experience; Body language; Composition <Music>; Avant-garde (Music); Electronic musical instruments; bic Book Industry Communication::A The arts::AV Music::AVX Music recording & reproduction bic Book Industry Communication::A The arts::AV Music::AVR Musical instruments & instrumental ensembles bic Book Industry Communication::U Computing & information technology::UY Computer science::UYZ Human-computer interaction::UYZG User interface design & usability bic Book Industry Communication::T Technology, engineering, agriculture::TT Other technologies & applied sciences::TTA Acoustic & sound engineering bic Book Industry Communication::J Society & social sciences::JM Psychology::JMR Cognition & cognitive psychology::JMRP Perception bic Book Industry Communication::A The arts::AV Music::AVG Music: styles & genres::AVGV Electronic music This is a book about musical gestures: multiple ways to design instruments, compose musical performances, analyze sound objects and represent sonic ideas through the central notion of ‘gesture’. The writers share knowledge on major research projects, musical compositions and methodological tools developed among different disciplines, such as sound art, embodied music cognition, human-computer interaction, performative studies and artificial intelligence. They visualize how similar and compatible are the notions of embodied music cognition and the artistic discourses proposed by musicians working with ‘gesture’ as their compositional material. The authors and editors hope to contribute to the ongoing discussion around creative technologies and music, expressive musical interface design, the debate around the use of AI technology in music practice, as well as presenting a new way of thinking about musical instruments, composing and performing with them. 2022-04-14T07:47:14Z 2022-04-14T07:47:14Z 2022 book 9783854480488 https://library.oapen.org/handle/20.500.12657/54051 eng application/pdf Attribution-ShareAlike 4.0 International Embodied_Gestures_E-Book.pdf https://www.tuwien.at/academicpress/produkt/embodied-gestures/ TU Wien Academic Press 10.34727/2022/isbn.978-3-85448-047-1 10.34727/2022/isbn.978-3-85448-047-1 957c0323-9030-48c6-8bd4-a008cf795a7a Austrian Science Fund (FWF) 9783854480488 Austrian Science Fund (FWF) 166 Vienna AR-G399 open access
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OAPEN
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DSpace
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English
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description |
This is a book about musical gestures: multiple ways to design instruments, compose musical performances, analyze sound objects and represent sonic ideas through the central notion of ‘gesture’.
The writers share knowledge on major research projects, musical compositions and methodological tools developed among different disciplines, such as sound art, embodied music cognition, human-computer interaction, performative studies and artificial intelligence. They visualize how similar and compatible are the notions of embodied music cognition and the artistic discourses proposed by musicians working with ‘gesture’ as their compositional material.
The authors and editors hope to contribute to the ongoing discussion around creative technologies and music, expressive musical interface design, the debate around the use of AI technology in music practice, as well as presenting a new way of thinking about musical instruments, composing and performing with them.
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title |
Embodied_Gestures_E-Book.pdf
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Embodied_Gestures_E-Book.pdf
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title_short |
Embodied_Gestures_E-Book.pdf
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Embodied_Gestures_E-Book.pdf
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title_fullStr |
Embodied_Gestures_E-Book.pdf
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Embodied_Gestures_E-Book.pdf
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embodied_gestures_e-book.pdf
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publisher |
TU Wien Academic Press
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2022
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https://www.tuwien.at/academicpress/produkt/embodied-gestures/
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1771297417230024704
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