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oapen-20.500.12657-542312022-04-29T03:04:10Z Mediale Entwürfe des Selbst Dörre, Robert social media; self-staging; YouTube; TikTok; Instagram; Snapchat; Twitch; gender; digital lifestyle bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTC Communication studies bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNJ Entertainment & media law In recent years, new forms of public self-documentation have become popular on social media platforms and especially through so-called influencers, forming their own media cultural microcosm. Even though YouTube has become emblematic of this cultural technique, media self-documentations are also formative for other services such as Instagram, TikTok, or Snapchat. Robert Dörre understands the emergence of these self-designs as an aesthetic practice and traces the media-historical shifts that public self-documentation has experienced on the Internet. In order to make these specific aesthetics, rituals, motifs, and economies accessible to media cultural studies, the work approaches the phenomenon from five perspectives: The reception as authentic self, the self as part of social media, the self as brand, the serial self, and the self as amateur and artist. 2022-04-28T11:20:19Z 2022-04-28T11:20:19Z 2022 book 9783963172687 https://library.oapen.org/handle/20.500.12657/54231 ger application/pdf Attribution-NonCommercial 4.0 International 9783963178085_oa.pdf https://www.buechner-verlag.de/buch/mediale-entwuerfe-des-selbst/ Büchner-Verlag 10.14631/978-3-96317-808-5 10.14631/978-3-96317-808-5 1693c2dd-7cd7-4dac-b4bb-0dec0525ad05 9783963172687 491 open access
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OAPEN
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In recent years, new forms of public self-documentation have become popular on social media platforms and especially through so-called influencers, forming their own media cultural microcosm. Even though YouTube has become emblematic of this cultural technique, media self-documentations are also formative for other services such as Instagram, TikTok, or Snapchat. Robert Dörre understands the emergence of these self-designs as an aesthetic practice and traces the media-historical shifts that public self-documentation has experienced on the Internet. In order to make these specific aesthetics, rituals, motifs, and economies accessible to media cultural studies, the work approaches the phenomenon from five perspectives: The reception as authentic self, the self as part of social media, the self as brand, the serial self, and the self as amateur and artist.
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9783963178085_oa.pdf
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9783963178085_oa.pdf
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9783963178085_oa.pdf
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9783963178085_oa.pdf
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9783963178085_oa.pdf
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9783963178085_oa.pdf
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Büchner-Verlag
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2022
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https://www.buechner-verlag.de/buch/mediale-entwuerfe-des-selbst/
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1771297514196041728
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