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oapen-20.500.12657-542832022-05-05T02:56:11Z Il saccheggio nazista dell'arte europea Solaro, Livia Cultural property Restitution Holocaust Nazi looted art Comparative law International law bic Book Industry Communication::L Law::LB International law bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNA Legal system: general::LNAC Civil procedure, litigation & dispute resolution::LNAC1 Civil remedies::LNAC12 Restitution bic Book Industry Communication::H Humanities::HB History::HBW Military history::HBWQ Second World War Throughout World War II, it is estimated that up to 20% of all of Europe’s art became the object of numerous forms of looting by the Nazi regime. Despite the Allies’ significant efforts to recover and return such artworks, the repercussions of this unprecedented plunder can still be observed to this day; at the turn of the millennium, a renewed interest in the tragic fate of the looted art that was never recovered pervaded the Western world, leading to a new wave of restitutions that does not appear bound to come to a halt anytime soon. This volume highlights the fundamental differences that have characterized the evolution of this process in Europe and in the Unites States, by retracing some landmark cases and the way they have impacted the discussion around restitution. 2022-05-04T14:16:15Z 2022-05-04T14:16:15Z 2022 book ONIX_20220504_9788835132820_18 9788835132820 https://library.oapen.org/handle/20.500.12657/54283 ita application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9788835132820.pdf https://series.francoangeli.it/index.php/oa/catalog/view/760/602/4507 FrancoAngeli Throughout World War II, it is estimated that up to 20% of all of Europe’s art became the object of numerous forms of looting by the Nazi regime. Despite the Allies’ significant efforts to recover and return such artworks, the repercussions of this unprecedented plunder can still be observed to this day; at the turn of the millennium, a renewed interest in the tragic fate of the looted art that was never recovered pervaded the Western world, leading to a new wave of restitutions that does not appear bound to come to a halt anytime soon. This volume highlights the fundamental differences that have characterized the evolution of this process in Europe and in the Unites States, by retracing some landmark cases and the way they have impacted the discussion around restitution. e2ddfb5e-9202-4851-8afe-1e09b020b018 9788835132820 172 Milan open access
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Throughout World War II, it is estimated that up to 20% of all of Europe’s art became the object of numerous forms of looting by the Nazi regime. Despite the Allies’ significant efforts to recover and return such artworks, the repercussions of this unprecedented plunder can still be observed to this day; at the turn of the millennium, a renewed interest in the tragic fate of the looted art that was never recovered pervaded the Western world, leading to a new wave of restitutions that does not appear bound to come to a halt anytime soon. This volume highlights the fundamental differences that have characterized the evolution of this process in Europe and in the Unites States, by retracing some landmark cases and the way they have impacted the discussion around restitution.
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