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oapen-20.500.12657-544872023-07-11T09:49:37Z Music as Labour Abfalter, Dagmar Reitsamer, Rosa Music Personnel and human resources management bic Book Industry Communication::A The arts::AV Music bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJM Management & management techniques::KJMV Management of specific areas::KJMV2 Personnel & human resources management This book brings together research at the intersection of music, cultural industries, management, antiracist politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians’ work is performed, constructed and managed at different times and show that musicians’ working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to ‘be creative’. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion. With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers. 2022-05-18T09:38:24Z 2022-05-18T09:38:24Z 2022 book ONIX_20220518_9781000615715_9 9781000615715 9781003150480 9780367713614 9780367713621 https://library.oapen.org/handle/20.500.12657/54487 eng Routledge Research in the Creative and Cultural Industries application/pdf n/a 9781000615715.pdf http://www.routledge.com Taylor & Francis Routledge 10.4324/9781003150480 10.4324/9781003150480 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 0a323ba0-6d6c-48b9-91c2-c54732e0687d 9781000615715 9781003150480 9780367713614 9780367713621 Routledge 238 [...] open access
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This book brings together research at the intersection of music, cultural industries, management, antiracist politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians’ work is performed, constructed and managed at different times and show that musicians’ working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to ‘be creative’. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion. With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers.
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