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oapen-20.500.12657-547852022-06-01T02:56:20Z Paul Gauguin MESSINA, MARIA GRAZIA Storia dell'arte Pittura Biografia Paul Gauguin bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACN History of art & design styles: c 1400 to c 1600 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACQ History of art & design styles: c 1600 to c 1800 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 Gauguin's exoticism, an inexhaustible source of mythical constructions, is subjected to a careful revision of the contemporary, complex interference between symbolist culture and the pressures of colonial policies. Different perspectives are adopted, from the analysis of the theme of the mask in self-portraits, to literary suggestions, to suggestions received from the Universal Exposition of 1889, up to a reinterpretation of the stays in Brittany and Oceania, intended to clarify the links between exoticism and nostalgia, in a definition of escaping into space as the substitute for a regression of time, in search of a dimension of the origins now precluded to modern people. 2022-05-31T10:13:00Z 2022-05-31T10:13:00Z 2006 book ONIX_20220531_9788864531106_68 2704-5919 9788864531106 8884533732 9788855188241 https://library.oapen.org/handle/20.500.12657/54785 ita Studi e saggi application/pdf n/a 9788864531106.pdf https://books.fupress.com/isbn/9788864531106 Firenze University Press 10.36253/978-88-6453-110-6 Gauguin's exoticism, an inexhaustible source of mythical constructions, is subjected to a careful revision of the contemporary, complex interference between symbolist culture and the pressures of colonial policies. Different perspectives are adopted, from the analysis of the theme of the mask in self-portraits, to literary suggestions, to suggestions received from the Universal Exposition of 1889, up to a reinterpretation of the stays in Brittany and Oceania, intended to clarify the links between exoticism and nostalgia, in a definition of escaping into space as the substitute for a regression of time, in search of a dimension of the origins now precluded to modern people. 10.36253/978-88-6453-110-6 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864531106 8884533732 9788855188241 31 202 Firenze open access
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Gauguin's exoticism, an inexhaustible source of mythical constructions, is subjected to a careful revision of the contemporary, complex interference between symbolist culture and the pressures of colonial policies. Different perspectives are adopted, from the analysis of the theme of the mask in self-portraits, to literary suggestions, to suggestions received from the Universal Exposition of 1889, up to a reinterpretation of the stays in Brittany and Oceania, intended to clarify the links between exoticism and nostalgia, in a definition of escaping into space as the substitute for a regression of time, in search of a dimension of the origins now precluded to modern people.
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