9788884536099.pdf

This book is a continuation of the lively debate launched in Dall'oggetto estetico all'oggetto artistico which the same editors published with Firenze University Press. The argument of the book is the organic link connecting the two thematic axes that define the ambit of aesthetics: the th...

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Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/isbn/9788884536099
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spelling oapen-20.500.12657-548142022-06-01T02:57:28Z Estetiche della percezione DESIDERI, FABRIZIO Matteucci, Giovanni Filosofia Estetica Arte Saggi bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACX History of art & design styles: from c 1900 - bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics This book is a continuation of the lively debate launched in Dall'oggetto estetico all'oggetto artistico which the same editors published with Firenze University Press. The argument of the book is the organic link connecting the two thematic axes that define the ambit of aesthetics: the theory of perception and reflection on the arts. The apparent tautology of the title is intended to stress how the interpenetration of perception and work of art is structural and organic, thus calling up the theoretical urgency of this problem for an effective understanding of the dynamics of the sense of art as a "symbolic form" in which the relation between the mind and the world is embodied in an exemplary manner. The book is divided into three sections. The first presents nuclei of reflection emerging from unconventional contemporary perspectives. The second addresses various angles of the theory of perception. Finally, the third part explores several cases in which contemporary artists have tackled the link between expressive practice and the articulation of perception. 2022-05-31T10:13:35Z 2022-05-31T10:13:35Z 2007 book ONIX_20220531_9788884536099_98 2704-5919 9788884536099 9788855188388 9788884536105 https://library.oapen.org/handle/20.500.12657/54814 ita Studi e saggi application/pdf Attribution 4.0 International 9788884536099.pdf https://books.fupress.com/isbn/9788884536099 Firenze University Press 10.36253/978-88-8453-609-9 This book is a continuation of the lively debate launched in Dall'oggetto estetico all'oggetto artistico which the same editors published with Firenze University Press. The argument of the book is the organic link connecting the two thematic axes that define the ambit of aesthetics: the theory of perception and reflection on the arts. The apparent tautology of the title is intended to stress how the interpenetration of perception and work of art is structural and organic, thus calling up the theoretical urgency of this problem for an effective understanding of the dynamics of the sense of art as a "symbolic form" in which the relation between the mind and the world is embodied in an exemplary manner. The book is divided into three sections. The first presents nuclei of reflection emerging from unconventional contemporary perspectives. The second addresses various angles of the theory of perception. Finally, the third part explores several cases in which contemporary artists have tackled the link between expressive practice and the articulation of perception. 10.36253/978-88-8453-609-9 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788884536099 9788855188388 9788884536105 52 204 Firenze open access
institution OAPEN
collection DSpace
language ita
description This book is a continuation of the lively debate launched in Dall'oggetto estetico all'oggetto artistico which the same editors published with Firenze University Press. The argument of the book is the organic link connecting the two thematic axes that define the ambit of aesthetics: the theory of perception and reflection on the arts. The apparent tautology of the title is intended to stress how the interpenetration of perception and work of art is structural and organic, thus calling up the theoretical urgency of this problem for an effective understanding of the dynamics of the sense of art as a "symbolic form" in which the relation between the mind and the world is embodied in an exemplary manner. The book is divided into three sections. The first presents nuclei of reflection emerging from unconventional contemporary perspectives. The second addresses various angles of the theory of perception. Finally, the third part explores several cases in which contemporary artists have tackled the link between expressive practice and the articulation of perception.
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publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/isbn/9788884536099
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