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oapen-20.500.12657-548372022-06-01T02:58:38Z Industrial design: latitudine e longitudine Tonelli, Maria Cristina Design Disegno industriale Imprese Tecnologia bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies bic Book Industry Communication::T Technology, engineering, agriculture::TB Technology: general issues::TBD Technical design The first lesson on industrial design has to address questions such as «what is industrial design?» «what are its relations with the world of production?» «in what way does it change our perception of objects?». By now the word «design» is a part of our language used – relevantly, superficially or casually – to qualify myriad aspects of everyday experience. However the semantic elasticity of the term conceals a professional practice, a decision-making process and a productive research the results of which have profoundly affected our society and our lives. A designer does not simply design an object. Through the object he or she also conditions the physical and emotional scenario of the people who use it. Just as industry does not simply offer goods, but distributes culture or non-culture through its choices of product design. Explaining what this creative activity consists of, which spheres it comprises, who are the actors and what skills are required of them, this book aims to provide critical tools and stimulate further study. 2022-05-31T10:14:42Z 2022-05-31T10:14:42Z 2008 book ONIX_20220531_9788884538253_121 2704-5919 9788884538253 9788855188548 9788884538246 https://library.oapen.org/handle/20.500.12657/54837 ita Studi e saggi application/pdf Attribution 4.0 International 9788884538253.pdf https://books.fupress.com/isbn/9788884538253 Firenze University Press 10.36253/978-88-8453-825-3 The first lesson on industrial design has to address questions such as «what is industrial design?» «what are its relations with the world of production?» «in what way does it change our perception of objects?». By now the word «design» is a part of our language used – relevantly, superficially or casually – to qualify myriad aspects of everyday experience. However the semantic elasticity of the term conceals a professional practice, a decision-making process and a productive research the results of which have profoundly affected our society and our lives. A designer does not simply design an object. Through the object he or she also conditions the physical and emotional scenario of the people who use it. Just as industry does not simply offer goods, but distributes culture or non-culture through its choices of product design. Explaining what this creative activity consists of, which spheres it comprises, who are the actors and what skills are required of them, this book aims to provide critical tools and stimulate further study. 10.36253/978-88-8453-825-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788884538253 9788855188548 9788884538246 68 192 Florence open access
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The first lesson on industrial design has to address questions such as «what is industrial design?» «what are its relations with the world of production?» «in what way does it change our perception of objects?». By now the word «design» is a part of our language used – relevantly, superficially or casually – to qualify myriad aspects of everyday experience. However the semantic elasticity of the term conceals a professional practice, a decision-making process and a productive research the results of which have profoundly affected our society and our lives. A designer does not simply design an object. Through the object he or she also conditions the physical and emotional scenario of the people who use it. Just as industry does not simply offer goods, but distributes culture or non-culture through its choices of product design. Explaining what this creative activity consists of, which spheres it comprises, who are the actors and what skills are required of them, this book aims to provide critical tools and stimulate further study.
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