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oapen-20.500.12657-548852022-06-01T03:00:54Z Censura, istituzioni e politica letteraria in URSS (1964-1985) ZALAMBANI, MARIA Censura Letteratura Russia Filologia slava URSS bic Book Industry Communication::C Language::CF linguistics bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Soviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power. Press Review: Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010 2022-05-31T10:15:56Z 2022-05-31T10:15:56Z 2009 book ONIX_20220531_9788864530802_169 2612-7679 9788864530802 9788864530758 9788892737297 https://library.oapen.org/handle/20.500.12657/54885 ita Biblioteca di Studi Slavistici application/pdf n/a 9788864530802.pdf https://books.fupress.com/isbn/9788864530802 Firenze University Press 10.36253/978-88-6453-080-2 Soviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power. Press Review: Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010 10.36253/978-88-6453-080-2 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864530802 9788864530758 9788892737297 10 284 Firenze open access
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Soviet society has always been characterised by a marked institutional censorship which, in the face of the power of the written word, has set in motion a series of highly repressive institutions. However, censorship does not necessarily exert its power through forms of coercion; there are also approaches that are implemented through a complex network of cultural institutions that can "produce" society, expunging concepts and attitudes that are a threat to the system and at the same time masterminding a series of organisms designed to forge orthodox behaviour and mindframes, to the extent that the role of the external censor often becomes almost superfluous, being replaced by the "censor of the soul". This book seeks to bring to the fore this second type of censorship, albeit without neglecting the complex repressive machinery set in motion by Soviet power. Press Review: Il Giornale, L'INTERVISTA - MARIA ZALAMBANI: «Così Breznev censurò persino Sartre» a cura di Giuseppe Ghini, 19/04/2010
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