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oapen-20.500.12657-549562022-06-01T03:04:28Z Das literarische Gesicht im Werk Heinrich von Kleists und Franz Kafkas Vitale, Claudia bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance. 2022-05-31T10:17:53Z 2022-05-31T10:17:53Z 2011 book ONIX_20220531_9788866550549_240 2420-8361 9788866550549 9788892736252 https://library.oapen.org/handle/20.500.12657/54956 ger Biblioteca di Studi di Filologia Moderna application/pdf n/a 9788866550549.pdf https://books.fupress.com/isbn/9788866550549 Firenze University Press 10.36253/978-88-6655-054-9 The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance. 10.36253/978-88-6655-054-9 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866550549 9788892736252 11 144 Firenze open access
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The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance.
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