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oapen-20.500.12657-550202022-06-01T03:07:55Z Matrici romano-milanesi nella poetica architettonica di Luigi Moretti. 1948-1960 Ricciuti, Valentina bic Book Industry Communication::A The arts::AM Architecture::AMX History of architecture Ricciuti starts from an analysis of some of the most significant projects from the post-war period to identify, for each of the cultural spheres geographically defined by the cities of Rome and Milan, a series of recurring characteristics and motifs that can be traced back to the maestro's desire to maintain a coherent language, albeit in a dual thematic register. Within the assertion that there exists a specificity to Moretti's work, and a close relationship with the different contexts, the author investigates this duality while seeking an alliance with literature and art criticism. This she does by recalling terms belonging to the language of artistic exegesis, but also by citing some authoritative contributions to the history of poetry and of European literature from the twentieth century and much more besides. 2022-05-31T10:19:30Z 2022-05-31T10:19:30Z 2012 book ONIX_20220531_9788866552741_304 2705-0297 9788866552741 9788892735729 https://library.oapen.org/handle/20.500.12657/55020 ita Premio Ricerca «Città di Firenze» application/pdf n/a 9788866552741.pdf https://books.fupress.com/isbn/9788866552741 Firenze University Press 10.36253/978-88-6655-274-1 Ricciuti starts from an analysis of some of the most significant projects from the post-war period to identify, for each of the cultural spheres geographically defined by the cities of Rome and Milan, a series of recurring characteristics and motifs that can be traced back to the maestro's desire to maintain a coherent language, albeit in a dual thematic register. Within the assertion that there exists a specificity to Moretti's work, and a close relationship with the different contexts, the author investigates this duality while seeking an alliance with literature and art criticism. This she does by recalling terms belonging to the language of artistic exegesis, but also by citing some authoritative contributions to the history of poetry and of European literature from the twentieth century and much more besides. 10.36253/978-88-6655-274-1 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866552741 9788892735729 7 114 Firenze open access
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Ricciuti starts from an analysis of some of the most significant projects from the post-war period to identify, for each of the cultural spheres geographically defined by the cities of Rome and Milan, a series of recurring characteristics and motifs that can be traced back to the maestro's desire to maintain a coherent language, albeit in a dual thematic register. Within the assertion that there exists a specificity to Moretti's work, and a close relationship with the different contexts, the author investigates this duality while seeking an alliance with literature and art criticism. This she does by recalling terms belonging to the language of artistic exegesis, but also by citing some authoritative contributions to the history of poetry and of European literature from the twentieth century and much more besides.
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