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oapen-20.500.12657-550732022-06-01T03:10:04Z Yvan Goll ed il crollo del mito d'Europa Terigi, Elisabetta bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation). 2022-05-31T10:20:38Z 2022-05-31T10:20:38Z 2013 book ONIX_20220531_9788866555100_357 2705-0297 9788866555100 9788866555094 9788892734760 https://library.oapen.org/handle/20.500.12657/55073 ita Premio Ricerca «Città di Firenze» application/pdf n/a 9788866555100.pdf https://books.fupress.com/isbn/9788866555100 Firenze University Press 10.36253/978-88-6655-510-0 The objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation). 10.36253/978-88-6655-510-0 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866555100 9788866555094 9788892734760 32 244 Florence open access
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The objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation).
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