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oapen-20.500.12657-550852022-06-01T03:10:44Z L’archeologia del graphic novel Brandigi, Eleonora bic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The archaeology of the graphic novel does not shed light on the historical origins of the comic book; on the contrary, it tries to discover the conceptual genesis of this narrative form. If the research methodology is archaeological, in fact, the theoretical approach is the same as neuro-narratology, in the light of which four important stages are suggested. These stages define the comic novel as a "natural" literary genre, a mimesis of the process transposing reality into images and constituting the basis of thought. The figure of Rodolphe Töpffer is not excluded from this process. Thanks to his theories and his work, he leads us to hypothesize that the comic book was more "novelistic" at its origin than it is in its current forms: the path to the novel, then, would not be so much of an evolution, but rather a return to the origins. 2022-05-31T10:20:51Z 2022-05-31T10:20:51Z 2013 book ONIX_20220531_9788866554943_369 2705-0297 9788866554943 9788892734906 https://library.oapen.org/handle/20.500.12657/55085 ita Premio Ricerca «Città di Firenze» application/pdf n/a 9788866554943.pdf https://books.fupress.com/isbn/9788866554943 Firenze University Press 10.36253/978-88-6655-494-3 The archaeology of the graphic novel does not shed light on the historical origins of the comic book; on the contrary, it tries to discover the conceptual genesis of this narrative form. If the research methodology is archaeological, in fact, the theoretical approach is the same as neuro-narratology, in the light of which four important stages are suggested. These stages define the comic novel as a "natural" literary genre, a mimesis of the process transposing reality into images and constituting the basis of thought. The figure of Rodolphe Töpffer is not excluded from this process. Thanks to his theories and his work, he leads us to hypothesize that the comic book was more "novelistic" at its origin than it is in its current forms: the path to the novel, then, would not be so much of an evolution, but rather a return to the origins. 10.36253/978-88-6655-494-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866554943 9788892734906 17 622 Florence open access
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The archaeology of the graphic novel does not shed light on the historical origins of the comic book; on the contrary, it tries to discover the conceptual genesis of this narrative form. If the research methodology is archaeological, in fact, the theoretical approach is the same as neuro-narratology, in the light of which four important stages are suggested. These stages define the comic novel as a "natural" literary genre, a mimesis of the process transposing reality into images and constituting the basis of thought. The figure of Rodolphe Töpffer is not excluded from this process. Thanks to his theories and his work, he leads us to hypothesize that the comic book was more "novelistic" at its origin than it is in its current forms: the path to the novel, then, would not be so much of an evolution, but rather a return to the origins.
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