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oapen-20.500.12657-551522022-06-01T03:13:52Z Produzione poetica e storia nella prassi e nella teoria greca di età classica Cucinotta, Emilia bic Book Industry Communication::D Literature & literary studies::DB Classical texts bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day In “Poetics”, Aristotle accepts history among the possible themes for poetry, on the condition that the poet reaches the universal plane by narrating events which comply with the rules of eikos and of anankaion. With the alteration of Athens’s history in the dialogue “Menexenus” and Solon’s poem on Atlantis in the dialogue “Critias”, Plato precedes Aristotle’s reflection and gives historical narration a central role in the citizens' paideia. In the 5th century, Greek poetry on historical subjects, from Aeschylus’s piece “The Persians” to the poem “The Persians” by Timotheus of Miletus, anticipated and put into practice the themes which Plato and Aristotle would later argument on s theorethical level, namely: the intertwining between the particular of history and the universal of poetry, the models for the mimesis, the audience’s reaction spacing between eleos, phobos and geloion. 2022-05-31T10:22:25Z 2022-05-31T10:22:25Z 2014 book ONIX_20220531_9788866557005_436 2612-8020 9788866557005 9788866556992 9788892734142 https://library.oapen.org/handle/20.500.12657/55152 ita Premio Tesi di Dottorato application/pdf Attribution 4.0 International 9788866557005.pdf https://books.fupress.com/isbn/9788866557005 Firenze University Press 10.36253/978-88-6655-700-5 In “Poetics”, Aristotle accepts history among the possible themes for poetry, on the condition that the poet reaches the universal plane by narrating events which comply with the rules of eikos and of anankaion. With the alteration of Athens’s history in the dialogue “Menexenus” and Solon’s poem on Atlantis in the dialogue “Critias”, Plato precedes Aristotle’s reflection and gives historical narration a central role in the citizens' paideia. In the 5th century, Greek poetry on historical subjects, from Aeschylus’s piece “The Persians” to the poem “The Persians” by Timotheus of Miletus, anticipated and put into practice the themes which Plato and Aristotle would later argument on s theorethical level, namely: the intertwining between the particular of history and the universal of poetry, the models for the mimesis, the audience’s reaction spacing between eleos, phobos and geloion. 10.36253/978-88-6655-700-5 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866557005 9788866556992 9788892734142 40 264 Florence open access
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In “Poetics”, Aristotle accepts history among the possible themes for poetry, on the condition that the poet reaches the universal plane by narrating events which comply with the rules of eikos and of anankaion. With the alteration of Athens’s history in the dialogue “Menexenus” and Solon’s poem on Atlantis in the dialogue “Critias”, Plato precedes Aristotle’s reflection and gives historical narration a central role in the citizens' paideia. In the 5th century, Greek poetry on historical subjects, from Aeschylus’s piece “The Persians” to the poem “The Persians” by Timotheus of Miletus, anticipated and put into practice the themes which Plato and Aristotle would later argument on s theorethical level, namely: the intertwining between the particular of history and the universal of poetry, the models for the mimesis, the audience’s reaction spacing between eleos, phobos and geloion.
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