| spelling |
oapen-20.500.12657-552102022-06-01T03:16:41Z Il grande eclettico Gjata, Adela bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AS Dance & other performing arts Renato Simoni was a playwright, theatre critic, librettist for opera seria and opera buffa, screenwriter, speaker, author of magazines, ballets, essays, costume articles, epigrams, anacreontics and rhymed jokes, but also one of the first Italian directors. In the 1930s and 1940s, he was at the head of important installations for the Venice Biennale and the Maggio Musicale Fiorentino. Using unpublished archival documents, this volume reconstructs the portrait of a multifaceted and authoritative man of the theatre, whose artistic experience has often been neglected by historiography, and yet refers to a decisive historical moment of theatre in Italy, marked by the progressive dissolution of the chief-comedian-and-showman structure in theatrical troupes and by the need for aesthetic and productive renewal. 2022-05-31T10:23:33Z 2022-05-31T10:23:33Z 2015 book ONIX_20220531_9788866559450_494 2705-0297 9788866559450 9788866559443 9788892733596 https://library.oapen.org/handle/20.500.12657/55210 ita Premio Ricerca «Città di Firenze» application/pdf Attribution 4.0 International 9788866559450.pdf https://books.fupress.com/isbn/9788866559450 Firenze University Press 10.36253/978-88-6655-945-0 Renato Simoni was a playwright, theatre critic, librettist for opera seria and opera buffa, screenwriter, speaker, author of magazines, ballets, essays, costume articles, epigrams, anacreontics and rhymed jokes, but also one of the first Italian directors. In the 1930s and 1940s, he was at the head of important installations for the Venice Biennale and the Maggio Musicale Fiorentino. Using unpublished archival documents, this volume reconstructs the portrait of a multifaceted and authoritative man of the theatre, whose artistic experience has often been neglected by historiography, and yet refers to a decisive historical moment of theatre in Italy, marked by the progressive dissolution of the chief-comedian-and-showman structure in theatrical troupes and by the need for aesthetic and productive renewal. 10.36253/978-88-6655-945-0 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866559450 9788866559443 9788892733596 43 470 Florence open access
|
| description |
Renato Simoni was a playwright, theatre critic, librettist for opera seria and opera buffa, screenwriter, speaker, author of magazines, ballets, essays, costume articles, epigrams, anacreontics and rhymed jokes, but also one of the first Italian directors. In the 1930s and 1940s, he was at the head of important installations for the Venice Biennale and the Maggio Musicale Fiorentino. Using unpublished archival documents, this volume reconstructs the portrait of a multifaceted and authoritative man of the theatre, whose artistic experience has often been neglected by historiography, and yet refers to a decisive historical moment of theatre in Italy, marked by the progressive dissolution of the chief-comedian-and-showman structure in theatrical troupes and by the need for aesthetic and productive renewal.
|
