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oapen-20.500.12657-552132022-06-01T03:16:47Z L’immagine del cane in Franz Kafka Pastorelli, Giuseppina bic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Within the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine. 2022-05-31T10:23:36Z 2022-05-31T10:23:36Z 2015 book ONIX_20220531_9788866559399_497 2612-8020 9788866559399 9788866559382 9788892733121 https://library.oapen.org/handle/20.500.12657/55213 ita Premio Tesi di Dottorato application/pdf Attribution 4.0 International 9788866559399.pdf https://books.fupress.com/isbn/9788866559399 Firenze University Press 10.36253/978-88-6655-939-9 Within the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine. 10.36253/978-88-6655-939-9 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866559399 9788866559382 9788892733121 48 246 Florence open access
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Within the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine.
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