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oapen-20.500.12657-552462022-06-01T03:18:23Z Incidere, Incidere, Incidere Sbordone, Giovanni bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACX History of art & design styles: from c 1900 - bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day Giorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth. 2022-05-31T10:24:37Z 2022-05-31T10:24:37Z 2015 book ONIX_20220531_9788866558170_530 2612-7946 9788866558170 9788866558163 9788866558187 9788892734098 https://library.oapen.org/handle/20.500.12657/55246 ita Carte, Studi e Opere – Centro Trentin di Venezia application/pdf Attribution-NoDerivatives 4.0 International 9788866558170.pdf https://books.fupress.com/isbn/9788866558170 Firenze University Press 10.36253/978-88-6655-817-0 Giorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth. 10.36253/978-88-6655-817-0 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866558170 9788866558163 9788866558187 9788892734098 2 234 Florence open access
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Giorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth.
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