9788864533926.pdf

The volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential...

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Λεπτομέρειες βιβλιογραφικής εγγραφής
Γλώσσα:ita
Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/isbn/9788864533926
id oapen-20.500.12657-55317
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spelling oapen-20.500.12657-553172022-06-01T03:25:08Z Arte nell’arte Degasperi, Angelica bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACK History of art: Byzantine & Medieval art c 500 CE to c 1400 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACN History of art & design styles: c 1400 to c 1600 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACQ History of art & design styles: c 1600 to c 1800 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACX History of art & design styles: from c 1900 - The volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential of iconography, trying to understand the extent to which it is possible to identify archaeologically well-defined cultural areas; it also attempts to establish whether the representations of specific details of everyday life correspond to a realistic description of everyday life itself, or rather are a reflection of feelings of curiosity, amazement, ambition or appreciation for the beauty of the objects. The study highlights how iconography is able to integrate our knowledge on the medieval ceramic productions and on the social context of use of specific vascular forms and types. 2022-05-31T10:26:31Z 2022-05-31T10:26:31Z 2016 book ONIX_20220531_9788864533926_601 2704-5870 9788864533926 9788864533919 9788892732322 https://library.oapen.org/handle/20.500.12657/55317 ita Strumenti per la didattica e la ricerca application/pdf Attribution 4.0 International 9788864533926.pdf https://books.fupress.com/isbn/9788864533926 Firenze University Press 10.36253/978-88-6453-392-6 The volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential of iconography, trying to understand the extent to which it is possible to identify archaeologically well-defined cultural areas; it also attempts to establish whether the representations of specific details of everyday life correspond to a realistic description of everyday life itself, or rather are a reflection of feelings of curiosity, amazement, ambition or appreciation for the beauty of the objects. The study highlights how iconography is able to integrate our knowledge on the medieval ceramic productions and on the social context of use of specific vascular forms and types. 10.36253/978-88-6453-392-6 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864533926 9788864533919 9788892732322 180 202 Florence open access
institution OAPEN
collection DSpace
language ita
description The volume analyses the representation of ceramic artefacts appearing in some Tuscan artistic works dating back to the 14th and 15th century and aims to combine the data emerging from iconographic sources with those relating to material and written documentation. It also aims to grasp the potential of iconography, trying to understand the extent to which it is possible to identify archaeologically well-defined cultural areas; it also attempts to establish whether the representations of specific details of everyday life correspond to a realistic description of everyday life itself, or rather are a reflection of feelings of curiosity, amazement, ambition or appreciation for the beauty of the objects. The study highlights how iconography is able to integrate our knowledge on the medieval ceramic productions and on the social context of use of specific vascular forms and types.
title 9788864533926.pdf
spellingShingle 9788864533926.pdf
title_short 9788864533926.pdf
title_full 9788864533926.pdf
title_fullStr 9788864533926.pdf
title_full_unstemmed 9788864533926.pdf
title_sort 9788864533926.pdf
publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/isbn/9788864533926
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