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oapen-20.500.12657-553582022-06-01T03:27:28Z Lezione di sguardi. Edoardo Detti fotografo Lisini, Caterina bic Book Industry Communication::A The arts::AM Architecture::AMV Landscape art & architecture bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning This volume documents Edoardo Detti's photographic activity, perhaps a “side” aspect, yet a fascinating and essential one for understanding his personality and his work. Many things are known about Detti: the several works and projects created individually or during the long collaboration with Carlo Scarpa, the intense preservation of the Tuscan territory, the important political and cultural role as counsellor for urban planning of the Municipality of Florence and as president of the Italian National Urban Planning Institute. His peculiar poetic, which so deeply intertwines architectural sensitivity and intimate adherence to the measure and qualities of the Tuscan landscape, is less known and investigated, and it is an attitude of which this volume offers valuable interpretations. The selected images, all taken between the 1940s and 1950s with the famous 6x6 Rolleiflex, almost make up a parallel essay to his activity as a scholar and an architect, where a profound ability to read the settlements, resulting from a historical, structural and formal interpretation, manifests itself in a vision which is suspended between truthful documentation and poetic abstraction. 2022-05-31T10:27:34Z 2022-05-31T10:27:34Z 2017 book ONIX_20220531_9788864536453_642 2704-5919 9788864536453 9788864536446 9788892731226 https://library.oapen.org/handle/20.500.12657/55358 ita Studi e saggi application/pdf Attribution 4.0 International 9788864536453.pdf https://books.fupress.com/isbn/9788864536453 Firenze University Press 10.36253/978-88-6453-645-3 This volume documents Edoardo Detti's photographic activity, perhaps a “side” aspect, yet a fascinating and essential one for understanding his personality and his work. Many things are known about Detti: the several works and projects created individually or during the long collaboration with Carlo Scarpa, the intense preservation of the Tuscan territory, the important political and cultural role as counsellor for urban planning of the Municipality of Florence and as president of the Italian National Urban Planning Institute. His peculiar poetic, which so deeply intertwines architectural sensitivity and intimate adherence to the measure and qualities of the Tuscan landscape, is less known and investigated, and it is an attitude of which this volume offers valuable interpretations. The selected images, all taken between the 1940s and 1950s with the famous 6x6 Rolleiflex, almost make up a parallel essay to his activity as a scholar and an architect, where a profound ability to read the settlements, resulting from a historical, structural and formal interpretation, manifests itself in a vision which is suspended between truthful documentation and poetic abstraction. 10.36253/978-88-6453-645-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864536453 9788864536446 9788892731226 186 472 Florence open access
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This volume documents Edoardo Detti's photographic activity, perhaps a “side” aspect, yet a fascinating and essential one for understanding his personality and his work. Many things are known about Detti: the several works and projects created individually or during the long collaboration with Carlo Scarpa, the intense preservation of the Tuscan territory, the important political and cultural role as counsellor for urban planning of the Municipality of Florence and as president of the Italian National Urban Planning Institute. His peculiar poetic, which so deeply intertwines architectural sensitivity and intimate adherence to the measure and qualities of the Tuscan landscape, is less known and investigated, and it is an attitude of which this volume offers valuable interpretations. The selected images, all taken between the 1940s and 1950s with the famous 6x6 Rolleiflex, almost make up a parallel essay to his activity as a scholar and an architect, where a profound ability to read the settlements, resulting from a historical, structural and formal interpretation, manifests itself in a vision which is suspended between truthful documentation and poetic abstraction.
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