| spelling |
oapen-20.500.12657-553622022-06-01T03:27:39Z Lettere agli amici fiorentini Dalmati, Margherita Moran, Sara bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The lucky discovery in Athens of the letters of Luzi, Traverso and Macrí to Margherita Dalmati allowed to complete the epistolary of the Greek poet and harpsichordist preserved in the archives of Florence and Urbino. The 341 pieces available thanks to Sara Moran's research allow us to trace her contacts with the great protagonists of post-war literary Florence, also showing their links with the Roman and Milanese environment. Throughout the “thaw” years, the letters offer the reconstruction of Dalmati’ militancy in Cyprus’ struggle for independence, of her friendship with Cristina Campo, of the translations into neo-Greek of Luzi's poetry. The 60s and 70s are marked by her promotion of Italian poetry in Greece, and of Greek poetry in Italy, through collaboration with magazines and the translation for Einaudi, together with Nelo Risi, of Kavafi’s poems. The letters - tender, funny, ironic and affectionate - of the four voices involved in the book illuminate important moments of the culture of the second half of the 20th Century as well as of the protagonists’ life, while among and around all of them an enchanting woman with her musical voice can be admired, whose name was little known until now. 2022-05-31T10:27:39Z 2022-05-31T10:27:39Z 2017 book ONIX_20220531_9788864536347_646 2704-565X 9788864536347 9788864536330 9788864536354 9788892731820 https://library.oapen.org/handle/20.500.12657/55362 ita Moderna/Comparata application/pdf Attribution 4.0 International 9788864536347.pdf https://books.fupress.com/isbn/9788864536347 Firenze University Press 10.36253/978-88-6453-634-7 The lucky discovery in Athens of the letters of Luzi, Traverso and Macrí to Margherita Dalmati allowed to complete the epistolary of the Greek poet and harpsichordist preserved in the archives of Florence and Urbino. The 341 pieces available thanks to Sara Moran's research allow us to trace her contacts with the great protagonists of post-war literary Florence, also showing their links with the Roman and Milanese environment. Throughout the “thaw” years, the letters offer the reconstruction of Dalmati’ militancy in Cyprus’ struggle for independence, of her friendship with Cristina Campo, of the translations into neo-Greek of Luzi's poetry. The 60s and 70s are marked by her promotion of Italian poetry in Greece, and of Greek poetry in Italy, through collaboration with magazines and the translation for Einaudi, together with Nelo Risi, of Kavafi’s poems. The letters - tender, funny, ironic and affectionate - of the four voices involved in the book illuminate important moments of the culture of the second half of the 20th Century as well as of the protagonists’ life, while among and around all of them an enchanting woman with her musical voice can be admired, whose name was little known until now. 10.36253/978-88-6453-634-7 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864536347 9788864536330 9788864536354 9788892731820 22 332 Florence open access
|
| description |
The lucky discovery in Athens of the letters of Luzi, Traverso and Macrí to Margherita Dalmati allowed to complete the epistolary of the Greek poet and harpsichordist preserved in the archives of Florence and Urbino. The 341 pieces available thanks to Sara Moran's research allow us to trace her contacts with the great protagonists of post-war literary Florence, also showing their links with the Roman and Milanese environment. Throughout the “thaw” years, the letters offer the reconstruction of Dalmati’ militancy in Cyprus’ struggle for independence, of her friendship with Cristina Campo, of the translations into neo-Greek of Luzi's poetry. The 60s and 70s are marked by her promotion of Italian poetry in Greece, and of Greek poetry in Italy, through collaboration with magazines and the translation for Einaudi, together with Nelo Risi, of Kavafi’s poems. The letters - tender, funny, ironic and affectionate - of the four voices involved in the book illuminate important moments of the culture of the second half of the 20th Century as well as of the protagonists’ life, while among and around all of them an enchanting woman with her musical voice can be admired, whose name was little known until now.
|
