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oapen-20.500.12657-553742022-06-01T03:28:15Z Dalla pagina alla parete TOSCHI, CATERINA bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACX History of art & design styles: from c 1900 - The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement. 2022-05-31T10:27:56Z 2022-05-31T10:27:56Z 2017 book ONIX_20220531_9788864535999_658 2420-8361 9788864535999 9788892731882 https://library.oapen.org/handle/20.500.12657/55374 ita Biblioteca di Studi di Filologia Moderna application/pdf n/a 9788864535999.pdf https://books.fupress.com/isbn/9788864535999 Firenze University Press 10.36253/978-88-6453-599-9 The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement. 10.36253/978-88-6453-599-9 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864535999 9788892731882 37 362 Florence open access
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The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement.
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