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oapen-20.500.12657-553802022-06-01T03:29:19Z Attori italiani alla corte della zarina Anna Ioannovna (1731-1738) PIERONI, ALICE bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACN History of art & design styles: c 1400 to c 1600 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACQ History of art & design styles: c 1600 to c 1800 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::A The arts::AS Dance & other performing arts bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day As in a journey back in time, the stages of the first tournées of Italian actors in Russia in the 18th Century are retraced. By studying the translations of comedies and musical interludes, staged in St. Petersburg from 1731 to 1738, the practices of the first Italians who trod the stages of Tsarina Anna Ioannovna are rediscovered. Through the translation of the repertoire that has come down to us, the author reconstructs the traces of the Commedia dell'Arte and of the life and works of a handful of interpreters ready to face dangerous journeys in order to obtain gains and honors. The research, conducted on printed documents and primary archival sources, also based on the previous studies of Starikova and Ferrazzi, devotes particular attention to the biographies of the interpreters. 2022-05-31T10:28:07Z 2022-05-31T10:28:07Z 2017 book ONIX_20220531_9788864535883_664 2705-0297 9788864535883 9788864535876 9788892731592 https://library.oapen.org/handle/20.500.12657/55380 ita Premio Ricerca «Città di Firenze» application/pdf Attribution-NonCommercial 4.0 International 9788864535883.pdf https://books.fupress.com/isbn/9788864535883 Firenze University Press 10.36253/978-88-6453-588-3 As in a journey back in time, the stages of the first tournées of Italian actors in Russia in the 18th Century are retraced. By studying the translations of comedies and musical interludes, staged in St. Petersburg from 1731 to 1738, the practices of the first Italians who trod the stages of Tsarina Anna Ioannovna are rediscovered. Through the translation of the repertoire that has come down to us, the author reconstructs the traces of the Commedia dell'Arte and of the life and works of a handful of interpreters ready to face dangerous journeys in order to obtain gains and honors. The research, conducted on printed documents and primary archival sources, also based on the previous studies of Starikova and Ferrazzi, devotes particular attention to the biographies of the interpreters. 10.36253/978-88-6453-588-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864535883 9788864535876 9788892731592 57 396 Florence open access
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As in a journey back in time, the stages of the first tournées of Italian actors in Russia in the 18th Century are retraced. By studying the translations of comedies and musical interludes, staged in St. Petersburg from 1731 to 1738, the practices of the first Italians who trod the stages of Tsarina Anna Ioannovna are rediscovered. Through the translation of the repertoire that has come down to us, the author reconstructs the traces of the Commedia dell'Arte and of the life and works of a handful of interpreters ready to face dangerous journeys in order to obtain gains and honors. The research, conducted on printed documents and primary archival sources, also based on the previous studies of Starikova and Ferrazzi, devotes particular attention to the biographies of the interpreters.
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