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oapen-20.500.12657-554362022-06-01T03:33:02Z Scrittori alla radio Sacchettini, Rodolfo bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism This book describes the complex relationship between writers and the radio, offering itself as an unpublished and original tool for measuring the cultural and political objectives of the public radio service between the 1930s and 1960s. From initial suspicions to pioneering attempts and productive consolidation, this new and invisible art form significantly reflected the resistances, experiments and impulses of the Italian literary society. With great competence, Rodolfo Sacchettini (one of the leading specialists on the subject) focuses on works which were specifically written for the radio: radio plays, conferences, cultural broadcasts, etc. The 1930s are described as a whirlwind of fear and hypnosis, adventures and modernity: from Benjamin's Germany and Korczak's Poland, with the invention of programs for children and adolescents, to fascist Italy, with audience records for the magazine I 4 moschettieri di Nizza and Morbelli. In the background, the United States with Wells and MacLeish who, by playing on the edge of credibility, announced the landing of Martians and mysterious foreign conquerors on the microphone. The second part of the volume is dedicated to the Italian post-war period, when writers systematically collaborated with radio stations, creating important works whose merit is also to focus and enhance the potential of an artistic genre which was still being defined and developed. Sacchettini, through the additional use of unpublished scripts, analyses radio plays by Savinio, Gadda, Pratolini and Dessí: auteur texts for a medium which would belong to writers for a very long time. 2022-05-31T10:29:57Z 2022-05-31T10:29:57Z 2018 book ONIX_20220531_9788864538389_720 2704-565X 9788864538389 9788864538365 9788864538372 9788892730496 https://library.oapen.org/handle/20.500.12657/55436 ita Moderna/Comparata application/pdf Attribution 4.0 International 9788864538389.pdf https://books.fupress.com/isbn/9788864538389 Firenze University Press 10.36253/978-88-6453-838-9 This book describes the complex relationship between writers and the radio, offering itself as an unpublished and original tool for measuring the cultural and political objectives of the public radio service between the 1930s and 1960s. From initial suspicions to pioneering attempts and productive consolidation, this new and invisible art form significantly reflected the resistances, experiments and impulses of the Italian literary society. With great competence, Rodolfo Sacchettini (one of the leading specialists on the subject) focuses on works which were specifically written for the radio: radio plays, conferences, cultural broadcasts, etc. The 1930s are described as a whirlwind of fear and hypnosis, adventures and modernity: from Benjamin's Germany and Korczak's Poland, with the invention of programs for children and adolescents, to fascist Italy, with audience records for the magazine I 4 moschettieri di Nizza and Morbelli. In the background, the United States with Wells and MacLeish who, by playing on the edge of credibility, announced the landing of Martians and mysterious foreign conquerors on the microphone. The second part of the volume is dedicated to the Italian post-war period, when writers systematically collaborated with radio stations, creating important works whose merit is also to focus and enhance the potential of an artistic genre which was still being defined and developed. Sacchettini, through the additional use of unpublished scripts, analyses radio plays by Savinio, Gadda, Pratolini and Dessí: auteur texts for a medium which would belong to writers for a very long time. 10.36253/978-88-6453-838-9 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864538389 9788864538365 9788864538372 9788892730496 31 144 Florence open access
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This book describes the complex relationship between writers and the radio, offering itself as an unpublished and original tool for measuring the cultural and political objectives of the public radio service between the 1930s and 1960s. From initial suspicions to pioneering attempts and productive consolidation, this new and invisible art form significantly reflected the resistances, experiments and impulses of the Italian literary society. With great competence, Rodolfo Sacchettini (one of the leading specialists on the subject) focuses on works which were specifically written for the radio: radio plays, conferences, cultural broadcasts, etc. The 1930s are described as a whirlwind of fear and hypnosis, adventures and modernity: from Benjamin's Germany and Korczak's Poland, with the invention of programs for children and adolescents, to fascist Italy, with audience records for the magazine I 4 moschettieri di Nizza and Morbelli. In the background, the United States with Wells and MacLeish who, by playing on the edge of credibility, announced the landing of Martians and mysterious foreign conquerors on the microphone. The second part of the volume is dedicated to the Italian post-war period, when writers systematically collaborated with radio stations, creating important works whose merit is also to focus and enhance the potential of an artistic genre which was still being defined and developed. Sacchettini, through the additional use of unpublished scripts, analyses radio plays by Savinio, Gadda, Pratolini and Dessí: auteur texts for a medium which would belong to writers for a very long time.
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