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oapen-20.500.12657-554752022-06-01T03:36:19Z La fortuna del 'Secolo d'Oro' Innocenti, Barbara bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The 17th century was the "century of theatre” for Europe, due to the quantity and the quality of dramatic works and to the great number of scenic inventions. Studying this century with focus on France and Spain, in light of the interpenetration between Classicism, Mannerism and Baroque, means discussing and deepening some key themes which are essential not only to the knowledge of a historical and literary era, but to modernity itself. Thanks to the participation of well-known specialists, who have read exemplary texts within the overall history of theatre and a rich iconography, this volume edited by Barbara Innocenti (who also transcribed an original document on the death of Louis XIV found in the archives of Pistoia) offers the required comparative attitude. The insights on great authors (mainly Molière, Tirso de Molina, the 'Tasso effect' in French literature...) favour comparisons and intersections which make it possible to outline a horizon of "European" culture, enriched by a creative dialogue with the contemporary on the translation and staging level. Therefore, the "Golden Century" goes beyond its own borders, crossing times, geographic areas and literatures. 2022-05-31T10:31:01Z 2022-05-31T10:31:01Z 2018 book ONIX_20220531_9788864537436_759 2704-565X 9788864537436 9788864537429 9788864537443 9788892731165 https://library.oapen.org/handle/20.500.12657/55475 ita Moderna/Comparata application/pdf Attribution 4.0 International 9788864537436.pdf https://books.fupress.com/isbn/9788864537436 Firenze University Press 10.36253/978-88-6453-743-6 The 17th century was the "century of theatre” for Europe, due to the quantity and the quality of dramatic works and to the great number of scenic inventions. Studying this century with focus on France and Spain, in light of the interpenetration between Classicism, Mannerism and Baroque, means discussing and deepening some key themes which are essential not only to the knowledge of a historical and literary era, but to modernity itself. Thanks to the participation of well-known specialists, who have read exemplary texts within the overall history of theatre and a rich iconography, this volume edited by Barbara Innocenti (who also transcribed an original document on the death of Louis XIV found in the archives of Pistoia) offers the required comparative attitude. The insights on great authors (mainly Molière, Tirso de Molina, the 'Tasso effect' in French literature...) favour comparisons and intersections which make it possible to outline a horizon of "European" culture, enriched by a creative dialogue with the contemporary on the translation and staging level. Therefore, the "Golden Century" goes beyond its own borders, crossing times, geographic areas and literatures. 10.36253/978-88-6453-743-6 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864537436 9788864537429 9788864537443 9788892731165 27 160 Florence open access
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The 17th century was the "century of theatre” for Europe, due to the quantity and the quality of dramatic works and to the great number of scenic inventions. Studying this century with focus on France and Spain, in light of the interpenetration between Classicism, Mannerism and Baroque, means discussing and deepening some key themes which are essential not only to the knowledge of a historical and literary era, but to modernity itself. Thanks to the participation of well-known specialists, who have read exemplary texts within the overall history of theatre and a rich iconography, this volume edited by Barbara Innocenti (who also transcribed an original document on the death of Louis XIV found in the archives of Pistoia) offers the required comparative attitude. The insights on great authors (mainly Molière, Tirso de Molina, the 'Tasso effect' in French literature...) favour comparisons and intersections which make it possible to outline a horizon of "European" culture, enriched by a creative dialogue with the contemporary on the translation and staging level. Therefore, the "Golden Century" goes beyond its own borders, crossing times, geographic areas and literatures.
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