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oapen-20.500.12657-555202022-06-01T03:39:02Z Scarti, tracce e frammenti: controarchivio e memoria dell’umano VALDINOCI, FRANCESCA bic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance. 2022-05-31T10:32:32Z 2022-05-31T10:32:32Z 2019 book ONIX_20220531_9788864539775_804 2420-8361 9788864539775 9788855186759 https://library.oapen.org/handle/20.500.12657/55520 ita Biblioteca di Studi di Filologia Moderna application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9788864539775.pdf https://books.fupress.com/isbn/9788864539775 Firenze University Press 10.36253/978-88-6453-977-5 Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance. 10.36253/978-88-6453-977-5 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864539775 9788855186759 52 220 Florence open access
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Scarti, tracce e frammenti: controarchivio e memoria dell’umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance.
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