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oapen-20.500.12657-555932022-06-01T03:42:53Z Il graphic novel. Un crossover per la modernità BACCHERETI, ELISABETTA Fastelli, Federico Salvadori, Diego bic Book Industry Communication::C Language::CF linguistics bic Book Industry Communication::C Language::CF linguistics::CFF Historical & comparative linguistics bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The graphic novel is one of the most suggestive and successful semiotic phenomena. This collection of essays focuses on the interrelations of image and text, and how they are substantiated and thematized by graphic novels. The volume gathers together twelve essays and follows a twofold structure: a historical and theoretical one, providing different and complementary approaches to the topic, from neurocognitive narratology to Digital Humanities; in the second part of the volume several case studies are discussed, based on key examples as shown by the following authors and their work: from Vanna Vinci and Lorenza Natarella, to Gipi, Zerocalcare and Manuel Fior; from Dino Buzzati to Hugo Pratt and Pazienza; from Pablo Echaurren to the Homeric epics’ comics remediation. 2022-05-31T10:34:29Z 2022-05-31T10:34:29Z 2020 book ONIX_20220531_9788855182218_877 2420-8361 9788855182218 9788855182225 https://library.oapen.org/handle/20.500.12657/55593 ita Biblioteca di Studi di Filologia Moderna application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9788855182218.pdf https://books.fupress.com/isbn/9788855182218 Firenze University Press 10.36253/978-88-5518-221-8 The graphic novel is one of the most suggestive and successful semiotic phenomena. This collection of essays focuses on the interrelations of image and text, and how they are substantiated and thematized by graphic novels. The volume gathers together twelve essays and follows a twofold structure: a historical and theoretical one, providing different and complementary approaches to the topic, from neurocognitive narratology to Digital Humanities; in the second part of the volume several case studies are discussed, based on key examples as shown by the following authors and their work: from Vanna Vinci and Lorenza Natarella, to Gipi, Zerocalcare and Manuel Fior; from Dino Buzzati to Hugo Pratt and Pazienza; from Pablo Echaurren to the Homeric epics’ comics remediation. 10.36253/978-88-5518-221-8 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855182218 9788855182225 56 262 Florence open access
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The graphic novel is one of the most suggestive and successful semiotic phenomena. This collection of essays focuses on the interrelations of image and text, and how they are substantiated and thematized by graphic novels. The volume gathers together twelve essays and follows a twofold structure: a historical and theoretical one, providing different and complementary approaches to the topic, from neurocognitive narratology to Digital Humanities; in the second part of the volume several case studies are discussed, based on key examples as shown by the following authors and their work: from Vanna Vinci and Lorenza Natarella, to Gipi, Zerocalcare and Manuel Fior; from Dino Buzzati to Hugo Pratt and Pazienza; from Pablo Echaurren to the Homeric epics’ comics remediation.
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