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oapen-20.500.12657-556352022-06-01T03:45:53Z Camere Azzurre Moschetti, Vincenzo desire house mediterranean space palladian landscape Peter Märkli bic Book Industry Communication::A The arts::AM Architecture::AMV Landscape art & architecture bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning The Mediterranean world has been seen for centuries as a ‘hyperbaric chamber’ in which the production of idyllic images by Grand Tour travellers has led its actual architectural evolution to the abysses, as a result of compromises in space. This has involved the construction of a (counter-)Atlas within which the architectures have acted by transfers, thus redefining the notion of geography according to space. This work investigates this 'encroaching' through the theme of the bourgeois dwelling, seeking a logical principle between the Mediterranean and the architectures by Palladio, Rossi and Märkli, united by a system of invisible distances able to demonstrate the temporariness of the 'maps'. Therefore, if it is true that the construction of space is able to change the geographical maps, it is legitimate to ask in this sense where the Mediterranean ends, a question to which this work tries to find an answer by means of the architectural project and its compositional phenomena. 2022-05-31T10:35:59Z 2022-05-31T10:35:59Z 2020 book ONIX_20220531_9788855180641_919 2612-8020 9788855180641 9788855180634 9788855180658 https://library.oapen.org/handle/20.500.12657/55635 ita Premio Tesi di Dottorato application/pdf Attribution 4.0 International 9788855180641.pdf https://books.fupress.com/isbn/9788855180641 Firenze University Press 10.36253/978-88-5518-064-1 The Mediterranean world has been seen for centuries as a ‘hyperbaric chamber’ in which the production of idyllic images by Grand Tour travellers has led its actual architectural evolution to the abysses, as a result of compromises in space. This has involved the construction of a (counter-)Atlas within which the architectures have acted by transfers, thus redefining the notion of geography according to space. This work investigates this 'encroaching' through the theme of the bourgeois dwelling, seeking a logical principle between the Mediterranean and the architectures by Palladio, Rossi and Märkli, united by a system of invisible distances able to demonstrate the temporariness of the 'maps'. Therefore, if it is true that the construction of space is able to change the geographical maps, it is legitimate to ask in this sense where the Mediterranean ends, a question to which this work tries to find an answer by means of the architectural project and its compositional phenomena. 10.36253/978-88-5518-064-1 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855180641 9788855180634 9788855180658 86 242 Florence open access
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The Mediterranean world has been seen for centuries as a ‘hyperbaric chamber’ in which the production of idyllic images by Grand Tour travellers has led its actual architectural evolution to the abysses, as a result of compromises in space. This has involved the construction of a (counter-)Atlas within which the architectures have acted by transfers, thus redefining the notion of geography according to space. This work investigates this 'encroaching' through the theme of the bourgeois dwelling, seeking a logical principle between the Mediterranean and the architectures by Palladio, Rossi and Märkli, united by a system of invisible distances able to demonstrate the temporariness of the 'maps'. Therefore, if it is true that the construction of space is able to change the geographical maps, it is legitimate to ask in this sense where the Mediterranean ends, a question to which this work tries to find an answer by means of the architectural project and its compositional phenomena.
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