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oapen-20.500.12657-556922022-06-01T03:49:29Z Giuseppe Maria Crespi e il Gran Principe Ferdinando de' Medici ZUCCHINI, ELISA Giuseppe Maria Crespi Grand Prince Ferdinando de’ Medici art history stoicism last Medici art and music bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACN History of art & design styles: c 1400 to c 1600 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACQ History of art & design styles: c 1600 to c 1800 bic Book Industry Communication::A The arts::AC History of art / art & design styles::ACV History of art & design styles: c 1800 to c 1900 The iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection. 2022-05-31T10:37:38Z 2022-05-31T10:37:38Z 2021 book ONIX_20220531_9788855183574_976 2705-0297 9788855183574 9788855183567 9788855183581 https://library.oapen.org/handle/20.500.12657/55692 ita Premio Ricerca «Città di Firenze» application/pdf Attribution 4.0 International 9788855183574.pdf https://books.fupress.com/isbn/9788855183574 Firenze University Press 10.36253/978-88-5518-357-4 The iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection. 10.36253/978-88-5518-357-4 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855183574 9788855183567 9788855183581 79 404 Florence open access
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The iconological analysis of Crespi’s paintings for Grand Prince Ferdinando de’Medici reveals shared ideas rooted in Seneca’s philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince’s artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando’s artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel’s art collection.
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