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oapen-20.500.12657-558452022-06-02T03:18:40Z Chapter Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l’esthétique révolutionnaire de Nikolaj Kljuev Sinichkina, Daria Mythopoetics Nikolay Klyuev revolutionary poetics epic poetry Avvakum Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the “red” baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit – polyphony, which announces the transition to narrative and epic poetry. 2022-06-01T12:07:09Z 2022-06-01T12:07:09Z 2017 chapter ONIX_20220601_9788864535074_28 2612-7679 9788864535074 https://library.oapen.org/handle/20.500.12657/55845 fre Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 26504.pdf https://books.fupress.com/doi/capitoli/978-88-6453-507-4_18 Firenze University Press 10.36253/978-88-6453-507-4.18 10.36253/978-88-6453-507-4.18 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864535074 36 23 Florence open access
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Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the “red” baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit – polyphony, which announces the transition to narrative and epic poetry.
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