15258.pdf

15258.pdf

This paper aims to add another piece of knowledge for Chiarissimo Fancelli, one of the leading sculptors in the Florentine art scene of the first thirty years of the Seventeenth century. The artwork, credited to the sculptor from Settignano, is located in palazzo Pandolfini (Florence) and represents...

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Γλώσσα:English
Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/978-88-5518-181-5_5
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spelling oapen-20.500.12657-560452022-06-02T03:21:31Z Chapter Venere e Cupido di palazzo Pandolfini a Firenze: una scultura inedita di Chiarissimo Fancelli Cardini, Agnese Florentine sculpture Pandolfini Palace Venus Chiarissimo Fancelli This paper aims to add another piece of knowledge for Chiarissimo Fancelli, one of the leading sculptors in the Florentine art scene of the first thirty years of the Seventeenth century. The artwork, credited to the sculptor from Settignano, is located in palazzo Pandolfini (Florence) and represents Venus and Cupid. Through the analysis of both its style and available bibliographical and historical sources, the marble group can now be included in the corpus of Fancelli’s sculptures and dated to 1620-1625. 2022-06-01T12:12:06Z 2022-06-01T12:12:06Z 2020 chapter ONIX_20220601_9788855181815_228 2704-5919 9788855181815 https://library.oapen.org/handle/20.500.12657/56045 eng Studi e saggi application/pdf Attribution 4.0 International 15258.pdf https://books.fupress.com/doi/capitoli/978-88-5518-181-5_5 Firenze University Press 10.36253/978-88-5518-181-5.05 10.36253/978-88-5518-181-5.05 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181815 212 9 Florence open access
institution OAPEN
collection DSpace
language English
description This paper aims to add another piece of knowledge for Chiarissimo Fancelli, one of the leading sculptors in the Florentine art scene of the first thirty years of the Seventeenth century. The artwork, credited to the sculptor from Settignano, is located in palazzo Pandolfini (Florence) and represents Venus and Cupid. Through the analysis of both its style and available bibliographical and historical sources, the marble group can now be included in the corpus of Fancelli’s sculptures and dated to 1620-1625.
title 15258.pdf
spellingShingle 15258.pdf
title_short 15258.pdf
title_full 15258.pdf
title_fullStr 15258.pdf
title_full_unstemmed 15258.pdf
title_sort 15258.pdf
publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/doi/capitoli/978-88-5518-181-5_5
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