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oapen-20.500.12657-560562022-06-02T03:21:39Z Chapter Per un profilo di Francesco Soderini, pittore «assai ragionevole nella storia e nei paesi, in grande e più in piccolo» Leonelli, Lisa Florentine late-baroque painting Medici family Anna Maria Luisa de' Medici Francesco Soderini Francesco Soderini (1671-1736), father of Mauro Soderini (1703-1751), was a Florentine painter who worked for the last members of the Medici dynasty, expecially for the Electress of the Palatinate Anna Maria Luisa, the only daughter of the granduke Cosimo III de’ Medici. Among the artist’s works, only the paintings for Villa La Quiete, the place where Anna Maria Luisa stayed during her last years, are well studied. This paper proposes new attributions to Soderini by recognising his style in some canvases presented on the art market and attributed to anonymous artists. These paintings contribute to a more accurate acknowledgement of the artist and of his style, which was very appreciated by his contemporaries. 2022-06-01T12:12:21Z 2022-06-01T12:12:21Z 2020 chapter ONIX_20220601_9788855181815_239 2704-5919 9788855181815 https://library.oapen.org/handle/20.500.12657/56056 eng Studi e saggi application/pdf Attribution 4.0 International 15263.pdf https://books.fupress.com/doi/capitoli/978-88-5518-181-5_10 Firenze University Press 10.36253/978-88-5518-181-5.10 10.36253/978-88-5518-181-5.10 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181815 212 22 Florence open access
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Francesco Soderini (1671-1736), father of Mauro Soderini (1703-1751), was a Florentine painter who worked for the last members of the Medici dynasty, expecially for the Electress of the Palatinate Anna Maria Luisa, the only daughter of the granduke Cosimo III de’ Medici. Among the artist’s works, only the paintings for Villa La Quiete, the place where Anna Maria Luisa stayed during her last years, are well studied. This paper proposes new attributions to Soderini by recognising his style in some canvases presented on the art market and attributed to anonymous artists. These paintings contribute to a more accurate acknowledgement of the artist and of his style, which was very appreciated by his contemporaries.
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