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oapen-20.500.12657-561362022-06-02T03:22:39Z Chapter Poetic Mapping of the Polish Crown at the Turn of the 16th and 17th Centuries and Its Relation to Cartographic Imitation in Renaissance Poetry Niedzwiedz, Jakub Renaissance Polish poetry cartography maps imitation mimesis The paper is devoted to the problem of imitation of maps in the late Renaissance Polish poetry (between 1580 and 1630). The author first discusses the special interest in cartography that existed among the Polish elite and poets of the period. The main thesis of the paper is that poets widely used map-based techniques in constructing their poems. Imitation (imitatio) played a crucial role in this process. To illustrate this concept, the author analyses the work of five poets: S.F. Klonowic, K. Miaskowski, S. Petrycy, M.K. Sarbiewski and Sz. Szymonowic. Looking at the shared topoi used in poems and maps and investigating how the late Renaissance poets described the territory of the Polish-Lithuanian Commonwealth, allows the author to draw a similarity between controlling space in poetry and maps. This suggests the idea of ruling over space might be related to the 16th-century idea of a God-like poet. 2022-06-01T12:14:41Z 2022-06-01T12:14:41Z 2020 chapter ONIX_20220601_9788855181983_319 2612-7679 9788855181983 https://library.oapen.org/handle/20.500.12657/56136 eng Biblioteca di Studi Slavistici application/pdf Attribution 4.0 International 15421.pdf https://books.fupress.com/doi/capitoli/978-88-5518-198-3_7 Firenze University Press 10.36253/978-88-5518-198-3.07 10.36253/978-88-5518-198-3.07 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181983 45 20 Florence open access
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English
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The paper is devoted to the problem of imitation of maps in the late Renaissance Polish poetry (between 1580 and 1630). The author first discusses the special interest in cartography that existed among the Polish elite and poets of the period. The main thesis of the paper is that poets widely used map-based techniques in constructing their poems. Imitation (imitatio) played a crucial role in this process. To illustrate this concept, the author analyses the work of five poets: S.F. Klonowic, K. Miaskowski, S. Petrycy, M.K. Sarbiewski and Sz. Szymonowic. Looking at the shared topoi used in poems and maps and investigating how the late Renaissance poets described the territory of the Polish-Lithuanian Commonwealth, allows the author to draw a similarity between controlling space in poetry and maps. This suggests the idea of ruling over space might be related to the 16th-century idea of a God-like poet.
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15421.pdf
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15421.pdf
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15421.pdf
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15421.pdf
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15421.pdf
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15421.pdf
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15421.pdf
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Firenze University Press
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2022
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https://books.fupress.com/doi/capitoli/978-88-5518-198-3_7
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1771297543708213248
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