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oapen-20.500.12657-562542022-06-02T03:24:20Z Chapter Calderón en el Gibaldone de Casamarciano (II): el scenario Il finto astrologo ALVITI, Roberta Calderón El astrólogo fingido Commedia dell'arte theatrical rewriting The article focuses on a collection of manuscript scenari, the Gibaldone of the Count of Casamarciano, transcribed in Naples in the year 1700. In this collection there are five canovacci derived from Calderonian comedies; among them, we can find Il finto astrologo, whose source text is a famous cloak and sword play, El astrólogo fingido. The relationship between the comedy and the scenario will be studied, in particular as regards those sections of the Calderonian play that have been added and removed so as to conform it to the codes of commedia dell’arte. 2022-06-01T12:17:27Z 2022-06-01T12:17:27Z 2020 chapter ONIX_20220601_9788855181501_437 2704-5919 9788855181501 https://library.oapen.org/handle/20.500.12657/56254 spa Studi e saggi application/pdf Attribution 4.0 International 14600.pdf https://books.fupress.com/doi/capitoli/978-88-5518-150-1_15 Firenze University Press 10.36253/978-88-5518-150-1.15 10.36253/978-88-5518-150-1.15 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181501 209 14 Florence open access
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The article focuses on a collection of manuscript scenari, the Gibaldone of the Count of Casamarciano, transcribed in Naples in the year 1700. In this collection there are five canovacci derived from Calderonian comedies; among them, we can find Il finto astrologo, whose source text is a famous cloak and sword play, El astrólogo fingido. The relationship between the comedy and the scenario will be studied, in particular as regards those sections of the Calderonian play that have been added and removed so as to conform it to the codes of commedia dell’arte.
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14600.pdf
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Firenze University Press
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2022
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https://books.fupress.com/doi/capitoli/978-88-5518-150-1_15
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1771297533840064512
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