14590.pdf

This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Γλώσσα:spa
Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/978-88-5518-150-1_4
id oapen-20.500.12657-56264
record_format dspace
spelling oapen-20.500.12657-562642022-06-02T03:24:29Z Chapter Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés Couderc, Christophe Classicism France Tragi-comedy Lope de Vega This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation’s spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres. 2022-06-01T12:17:40Z 2022-06-01T12:17:40Z 2020 chapter ONIX_20220601_9788855181501_447 2704-5919 9788855181501 https://library.oapen.org/handle/20.500.12657/56264 spa Studi e saggi application/pdf Attribution 4.0 International 14590.pdf https://books.fupress.com/doi/capitoli/978-88-5518-150-1_4 Firenze University Press 10.36253/978-88-5518-150-1.4 10.36253/978-88-5518-150-1.4 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181501 209 17 Florence open access
institution OAPEN
collection DSpace
language spa
description This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation’s spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres.
title 14590.pdf
spellingShingle 14590.pdf
title_short 14590.pdf
title_full 14590.pdf
title_fullStr 14590.pdf
title_full_unstemmed 14590.pdf
title_sort 14590.pdf
publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/doi/capitoli/978-88-5518-150-1_4
_version_ 1771297492891074560