14607.pdf
Analysis of the seventeenth-century theatrical adaptation of the Neapolitan Carlo Celano, L’infanta villana, and the Spanish source identified, La cortesana en la sierra y fortunas de don Manrique de Lara, written in collaboration by Juan de Matos Fragoso (I act), Juan Bautista Diamante (II act) and...
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Firenze University Press
2022
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| Διαθέσιμο Online: | https://books.fupress.com/doi/capitoli/978-88-5518-150-1_22 |
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oapen-20.500.12657-562652022-06-02T03:24:30Z Chapter Tres ingenios al servicio de un canónigo: de La cortesana en la sierra… a L’infanta villana de Carlo Celano MARCELLO, Elena Elisabetta Italian Comedy spagnoleggiante Carlo Celano Juan de Matos Fragoso Juan Bautista Diamante Juan Vélez de Guevara Adaptation Translation Analysis of the seventeenth-century theatrical adaptation of the Neapolitan Carlo Celano, L’infanta villana, and the Spanish source identified, La cortesana en la sierra y fortunas de don Manrique de Lara, written in collaboration by Juan de Matos Fragoso (I act), Juan Bautista Diamante (II act) and Juan Vélez de Guevara (III act). It focuses in particular on two sequences - one serious and one comic - that allow to verify the degree of dramatic and rhetorical adaptation and the translatability of humor compared with the prototext. 2022-06-01T12:17:42Z 2022-06-01T12:17:42Z 2020 chapter ONIX_20220601_9788855181501_448 2704-5919 9788855181501 https://library.oapen.org/handle/20.500.12657/56265 spa Studi e saggi application/pdf Attribution 4.0 International 14607.pdf https://books.fupress.com/doi/capitoli/978-88-5518-150-1_22 Firenze University Press 10.36253/978-88-5518-150-1.22 10.36253/978-88-5518-150-1.22 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855181501 209 18 Florence open access |
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Analysis of the seventeenth-century theatrical adaptation of the Neapolitan Carlo Celano, L’infanta villana, and the Spanish source identified, La cortesana en la sierra y fortunas de don Manrique de Lara, written in collaboration by Juan de Matos Fragoso (I act), Juan Bautista Diamante (II act) and Juan Vélez de Guevara (III act). It focuses in particular on two sequences - one serious and one comic - that allow to verify the degree of dramatic and rhetorical adaptation and the translatability of humor compared with the prototext. |
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14607.pdf |
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14607.pdf |
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| publisher |
Firenze University Press |
| publishDate |
2022 |
| url |
https://books.fupress.com/doi/capitoli/978-88-5518-150-1_22 |
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1771297527074652160 |
