19421.pdf

In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the pro...

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Έκδοση: Firenze University Press 2022
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/978-88-5518-338-3_8
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spelling oapen-20.500.12657-564182022-06-02T03:26:56Z Chapter Il tempo non lineare in Esterno giorno – Val Rosandra di Claudio Magris e in La gita delle ragazze morte di Anna Seghers SVANDRLIK, Rita First and Second World War Historical Memory Mourning Elaboration Narrated Time and Narrative Time In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story. 2022-06-01T12:23:43Z 2022-06-01T12:23:43Z 2021 chapter ONIX_20220601_9788855183383_603 2420-8361 9788855183383 https://library.oapen.org/handle/20.500.12657/56418 ita Biblioteca di Studi di Filologia Moderna application/pdf Attribution 4.0 International 19421.pdf https://books.fupress.com/doi/capitoli/978-88-5518-338-3_8 Firenze University Press 10.36253/978-88-5518-338-3.08 10.36253/978-88-5518-338-3.08 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788855183383 59 11 Florence open access
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description In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story.
title 19421.pdf
spellingShingle 19421.pdf
title_short 19421.pdf
title_full 19421.pdf
title_fullStr 19421.pdf
title_full_unstemmed 19421.pdf
title_sort 19421.pdf
publisher Firenze University Press
publishDate 2022
url https://books.fupress.com/doi/capitoli/978-88-5518-338-3_8
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